Architects -- Fiction; Castles -- Conservation and restoration -- Fiction; Love stories; Wessex (England) -- Fiction
De Stancy’s mode of presenting the necklace, though unauthorized by
Shakespeare, had the full approval of the company, and set them in
good humour to receive Major Camperton as Armado the braggart. Nothing
calculated to stimulate jealousy occurred again till the fifth act; and
then there arose full cause for it.
The scene was the outside of the Princess’s pavilion. De Stancy, as
the King of Navarre, stood with his group of attendants awaiting the
Princess, who presently entered from her door. The two began to converse
as the play appointed, De Stancy turning to her with this reply--
‘Rebuke me not for that which you provoke;
The virtue of your eye must break my oath.’
So far all was well; and Paula opened her lips for the set rejoinder.
But before she had spoken De Stancy continued--
‘If I profane with my unworthy hand
(Taking her hand)
This holy shrine, the gentle fine is this--
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.’
Somerset stared. Surely in this comedy the King never addressed the
Princess in such warm words; and yet they were Shakespeare’s, for they
were quite familiar to him. A dim suspicion crossed his mind. Mrs.
Goodman had brought a copy of Shakespeare with her, which she kept in
her lap and never looked at: borrowing it, Somerset turned to ‘Romeo and
Juliet,’ and there he saw the words which De Stancy had introduced as
gag, to intensify the mild love-making of the other play. Meanwhile De
Stancy continued--
‘O then, dear Saint, let lips do what hands do;
They pray, grant thou, lest faith turn to despair.
Then move not, while my prayer’s effect I take.
Thus from my lips, by yours, my sin is purg’d!’
Could it be that De Stancy was going to do what came next in the stage
direction--kiss her? Before there was time for conjecture on that point
the sound of a very sweet and long-drawn osculation spread through the
room, followed by loud applause from the people in the cheap seats. De
Stancy withdrew from bending over Paula, and she was very red in the
face. Nothing seemed clearer than that he had actually done the deed.
The applause continuing, Somerset turned his head. Five hundred
faces had regarded the act, without a consciousness that it was an
interpolation; and four hundred and fifty mouths in those faces were
smiling. About one half of them were tender smiles; these came from the
women. The other half were at best humorous, and mainly satirical; these
came from the men. It was a profanation without parallel, and his face
blazed like a coal.
Public-domain text, read in full here on John Shaqi.
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