‘I am indisposed to answer you too clearly. Keep your heart strong: ‘tis a censorious world.’ The vagueness there shown made Somerset peremptory, and he could not help replying somewhat more impetuously than usual:-- ‘Why do you give me so much cause for anxiety! Why treat me to so much mystification! Say once, distinctly, that what I have asked is given.’ He awaited for the answer, one day, two days, a week; but none came. It was now the end of March, and when Somerset walked of an afternoon by the river and pool in the lower part of the grounds, his ear newly greeted by the small voices of frogs and toads and other creatures who had been torpid through the winter, he became doubtful and uneasy that she alone should be silent in the awakening year. He waited through a second week, and there was still no reply. It was possible that the urgency of his request had tempted her to punish him, and he continued his walks, to, fro, and around, with as close an ear to the undertones of nature, and as attentive an eye to the charms of his own art, as the grand passion would allow. Now came the days of battle between winter and spring. On these excursions, though spring was to the forward during the daylight, winter would reassert itself at night, and not unfrequently at other moments. Tepid airs and nipping breezes met on the confines of sunshine and shade; trembling raindrops that were still akin to frost crystals dashed themselves from the bushes as he pursued his way from town to castle; the birds were like an orchestra waiting for the signal to strike up, and colour began to enter into the country round. But he gave only a modicum of thought to these proceedings. He rather thought such things as, ‘She can afford to be saucy, and to find a source of blitheness in my love, considering the power that wealth gives her to pick and choose almost where she will.’ He was bound to own, however, that one of the charms of her conversation was the complete absence of the note of the heiress from its accents. That, other things equal, her interest would naturally incline to a person bearing the name of De Stancy, was evident from her avowed predilections. His original assumption, that she was a personification of the modern spirit, who had been dropped, like a seed from the bill of a bird, into a chink of mediaevalism, required some qualification. Romanticism, which will exist in every human breast as long as human nature itself exists, had asserted itself in her. Veneration for things old, not because of any merit in them, but because of their long continuance, had developed in her; and her modern spirit was taking to itself wings and flying away. Whether his image was flying with the other was a question which moved him all the more deeply now that her silence gave him dread of an affirmative answer.