Architects -- Fiction; Castles -- Conservation and restoration -- Fiction; Love stories; Wessex (England) -- Fiction
It was neither a visiting nor a playing card, but one bearing a
photographic portrait of a peculiar nature. It was what Dare had
characterized as his best joke in speaking on the subject to Captain De
Stancy: he had in the morning put it ready in his pocket to give to the
captain, and had in fact held it in waiting between his finger and thumb
while talking to him in the Platz, meaning that he should make use of it
against his rival whenever convenient. But his sharp conversation with
that soldier had dulled his zest for this final joke at Somerset’s
expense, had at least shown him that De Stancy would not adopt the joke
by accepting the photograph and using it himself, and determined him to
lay it aside till a more convenient time. So fully had he made up his
mind on this course, that when the photograph slipped out he did not at
first perceive the appositeness of the circumstance, in putting into his
own hands the role he had intended for De Stancy; though it was asserted
afterwards that the whole scene was deliberately planned. However, once
having seen the accident, he resolved to take the current as it served.
The card having fallen beside her, Miss De Stancy glanced over it, which
indeed she could not help doing. The smile that had previously hung upon
her lips was arrested as if by frost and she involuntarily uttered a
little distressed cry of ‘O!’ like one in bodily pain.
Paula, who had been talking to her uncle during this interlude, started
round, and wondering what had happened, inquiringly crossed the room
to poor Charlotte’s side, asking her what was the matter. Charlotte had
regained self-possession, though not enough to enable her to reply, and
Paula asked her a second time what had made her exclaim like that. Miss
De Stancy still seemed confused, whereupon Paula noticed that her eyes
were continually drawn as if by fascination towards the photograph on
the floor, which, contrary to his first impulse, Dare, as has been
said, now seemed in no hurry to regain. Surmising at last that the card,
whatever it was, had something to do with the exclamation, Paula picked
it up.
It was a portrait of Somerset; but by a device known in photography
the operator, though contriving to produce what seemed to be a perfect
likeness, had given it the distorted features and wild attitude of a man
advanced in intoxication. No woman, unless specially cognizant of such
possibilities, could have looked upon it and doubted that the photograph
was a genuine illustration of a customary phase in the young man’s
private life.
Paula observed it, thoroughly took it in; but the effect upon her was by
no means clear. Charlotte’s eyes at once forsook the portrait to dwell
on Paula’s face. It paled a little, and this was followed by a hot
blush--perceptibly a blush of shame. That was all. She flung the picture
down on the table, and moved away.
Public-domain text, read in full here on John Shaqi.
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