Architects -- Fiction; Castles -- Conservation and restoration -- Fiction; Love stories; Wessex (England) -- Fiction
Her hand was hanging by her side, and Somerset’s was close by. He took
it, and she did not draw it away. Thus they stood a long while, the rain
hissing down upon the grass-plot, and not a soul being visible outside
the dancing-tent save themselves.
‘May I call you Paula?’ asked he.
There was no answer.
‘May I?’ he repeated.
‘Yes, occasionally,’ she murmured.
‘Dear Paula!--may I call you that?’
‘O no--not yet.’
‘But you know I love you?’
‘Yes,’ she whispered.
‘And shall I love you always?’
‘If you wish to.’
‘And will you love me?’
Paula did not reply.
‘Will you, Paula?’ he repeated.
‘You may love me.’
‘But don’t you love me in return?’
‘I love you to love me.’
‘Won’t you say anything more explicit?’
‘I would rather not.’
Somerset emitted half a sigh: he wished she had been more demonstrative,
yet felt that this passive way of assenting was as much as he could hope
for. Had there been anything cold in her passivity he might have
felt repressed; but her stillness suggested the stillness of motion
imperceptible from its intensity.
‘We must go in,’ said she. ‘The rain is almost over, and there is no
longer any excuse for this.’
Somerset bent his lips toward hers. ‘No,’ said the fair Puritan
decisively.
‘Why not?’ he asked.
‘Nobody ever has.’
‘But!--’ expostulated Somerset.
‘To everything there is a season, and the season for this is not just
now,’ she answered, walking away.
They crossed the wet and glistening lawn, stepped under the tent and
parted. She vanished, he did not know whither; and, standing with his
gaze fixed on the dancers, the young man waited, till, being in no mood
to join them, he went slowly through the artificial passage lined with
flowers, and entered the drawing room. Mrs. Goodman was there, bidding
good-night to the early goers, and Paula was just behind her, apparently
in her usual mood. His parting with her was quite formal, but that he
did not mind, for her colour rose decidedly higher as he approached, and
the light in her eyes was like the ray of a diamond.
When he reached the door he found that his brougham from the Quantock
Arms, which had been waiting more than an hour, could not be heard of.
That vagrancy of spirit which love induces would not permit him to wait;
and, leaving word that the man was to follow him when he returned, he
went past the glare of carriage-lamps ranked in the ward, and under the
outer arch. The night was now clear and beautiful, and he strolled along
his way full of mysterious elation till the vehicle overtook him, and he
got in.
Public-domain text, read in full here on John Shaqi.
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