A laugh a day keeps the doctor awayCobb, Irvin S. (Irvin Shrewsbury)
General
A laugh a day keeps the doctor away
Cobb, Irvin S. (Irvin Shrewsbury)
American wit and humor; Anecdotes
But one Sunday as he entered the pulpit, he suffered a distressing
shock. Sitting in a front pew was a black man he instantly recognized as
a former cell-mate in the penitentiary. That wasn’t the worst of it. He
could tell by the expression on the other’s face that the latter also
had recognized him. He had a feeling either that he must submit to
blackmail or suffer exposure and lose his present charge. The distracted
parson did some quick thinking. Then he opened the Good Book, fixed his
eyes meaningly upon the countenance of the interloper, cleared his
throat and began as follows:
“Brethren an’ Sistren. I had figgered to disco’se to you-all dis Sabbath
mawnin’ ’pun de subjec’ of de parable of de Prodigal Son; but sence
steppin’ into dis holy place I has changed my mind an’ I shall preach
frum de fo’teenth Chapter of Ezekiel, nineteenth Verse, w’ich sez: ‘Ef
thou seest me an’ thinkest thou knowest me, don’t say nothin’, fur
verily I say unto you, I’ll see you later.’”
§ 329 The Real Fromage, in Fact
Two of Broadway’s typical products were invited to spend an evening at
the Fifth Avenue home of a wealthy patron. The guests knew a great deal
about musical shows and about picking winners at the tracks and, when it
came to rolling a sucker for his money, they acknowledged no superiors.
But in certain other departments of knowledge both of them were just a
trifle shy.
Observing that they seemed somewhat self-conscious, their host undertook
to make them feel more at home. He made the mistake, though, of picking
on literature as a topic. Across the dinner-table he said to one of
them:
“How do you like Omar Khayyam?”
“Oh, pretty good,” said the person addressed; “but a bottle of this here
red Chianti suits me better.”
On the way home the second Broadwayite took his friend to task for his
ignorance.
“Bo,” he said, “when you don’t understand a thing why don’t you keep
your mouth shut? Why, you big stiff, this here Omar Khayyam ain’t no
wine. It’s a cheese.”
§ 330 Practically No Reason for It
There once was a clerk of the hotel in a small Maine town who had a
unique way of keeping a diary. Each evening he wrote on the bottom lines
of the page of the register for the current date a brief account of the
principal daily doings in the community, usually coupled with a summary
of his own personal reactions to them. Sometimes his phraseology was
unusual but always it was amply descriptive.
A friend of mine was stopping at the hotel, having gone up to Maine on a
fishing trip. He fell into the habit of glancing through the back pages
of the register, more for the enjoyment he got from the quaint language
of the entries than because he was interested in bygone neighborhood
history.
On succeeding pages of the book for a week of the early spring of the
year previous, he found these progressive records of a local tragedy:
Public-domain text, read in full here on John Shaqi.
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