England -- Description and travel; Wales -- Description and travel
The next village of Leighton was almost ideal, with its picturesque
black and white cottages half drowned in foliage; then our road became
as beautiful as a dream till we came in sight of Buildwas Abbey,
gloriously situated by the banks of the Severn, where the river flows
gently by. But the situation is robbed of much of its charm by the
intruding railway, that passes close to the abbey's ruined walls and
sadly disturbs its quiet. All you can do is to try and forget the
railway as though it were not. Amidst the ruins you cannot see it,
but alas! you can hear it; and how can one romance to the sound of a
railway train and the locomotive's blatant whistle?
Buildwas Abbey is the relic of a splendid building, beautiful and
stately even in decay, seemingly too proud to mourn its long-lost
grandeur, "cased in the unfeeling armour of old time." Its massive
pillars and stout walls, braving all weathers, stand strong and
enduring still. Time, that gentle healer, has tinted and adorned its
broken walls with many hues, and fringed their rugged tops with bright
wild-flowers, grasses, and weeds; here and there, too, the ivy creeps
over them and peeps in from without through the vacant windows. Its
silent stones seem laden with memories: would that they could tell
their story apart from the written one! Its open arches frame pleasant
pictures of rich meadows, of woods beyond them, of blue hills beyond
again, with bits of sky peeping above. Says Disraeli, "Men moralise
amongst ruins"; here is a rare spot to moralise in for those so minded.
The abbey church is cruciform in plan, with a central tower ruined low;
its stout Norman pillars with their square capitals are very effective
in their suggestiveness of strength. There is a massive dignity,
purity, and simplicity about the architecture of Buildwas that pleases
the cultured eye; there is nothing petty or pretty about it, rather
perhaps it errs on the side of sternness, if it errs at all. Grace of
outline rather than ornamentation was evidently the monkish designer's
guiding inspiration, but what the building lacks in richness of detail
it gains in breadth and quiet harmony.
The site of the abbey in a valley formerly lonely and of much sylvan
beauty, with a river running by, was one that commended itself to the
Cistercians, and none were better judges of scenery than they. How did
the abbey come by its name? Some antiquaries assert that it came from
"beild," a shelter, and "was," a level; others declare, equally sure
they are correct, that it came from "build" and "was," a building by
the wash of the river. I am inclined to favour the former view; but
when learned antiquaries disagree, how shall a mere layman decide?
[Illustration: BUILDWAS ABBEY, LOOKING WEST.]
Public-domain text, read in full here on John Shaqi.
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