Next the clerk called my attention to the fine old fifteenth-century stained glass of the west window, found some years back under the floor of the church, presumably placed there for safety from the Puritan fanatics. Also he pointed out the boldly carved royal coat-of-arms set up against the north wall of the church "to celebrate the capture of Napoleon Bounaparte." Then he showed me the old Collegiate Choir stalls, on one of the panels of which is a very curious and cunningly conceived carving representing the Annunciation; at the base of the panel is shown a vase with lilies growing from it, and these are so contrived to subtly suggest the Crucifixion where the flowers expand. A quaint and poetic conception cleverly carried out. "A carving quite unique," the clerk told me; certainly I had seen nothing like it before. I wonder how the medieval carver got his inspiration? Next we inspected the Golden, or the Vernon Chapel, built in 1510, a copy on a smaller scale of the Henry VII. Chapel in Westminster Abbey. The fan-vaulted roofing of this is very fine, and both the roof and walls still plainly show traces of gilt and colouring. In a niche in the west wall and under a richly carved canopy is the figure of Sir Arthur Vernon represented as preaching, this Sir Arthur Vernon being "a priest of the College." During the restoration of the church his brass was discovered beneath the floor of the chapel, though why it should have been floored over I cannot imagine; now it has been recovered and exposed for all men to read who know the Latin tongue. The original altar stone (of rough sandstone with five crosses on it) has also been recovered from the floor, and has been returned to its former rightful position, suitably elevated, at the east end of the chapel, and above it is a faded fresco of the Crucifixion. On the south wall is also a quaint brass to Ralph Elcock--Cellarer of the College.