A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacySpalding, William
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A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy
The following corrections have been made to the text:
Page xvii: [original has extraneous quotation mark]P. S. As I
am no great scholar
Page 36: [Sidenote: II.[period missing in original] i. one of
the finest scenes that Fletcher ever wrote.]
Page 40: [Sidenote: Act II. scene v. (Weber, sc. vi.
[original has extra parenthesis]Littledale), are all
Fletcher's.]
Page 43: [Sidenote: Act III. scene iv. v. Fletcher's.[period
missing in original]]
Page 53: [Sidenote: Chaucer's[letter "s" missing in original]
celestial agency to work out the plot.]
Page 63: [Sidenote: Beaumont and[word "and" missing in
original] Fletcher's.]
Page 85: [Sidenote: Expression in Painting and Sculpture is a
borrowd quality.[period missing in original]]
Page 113: [original has quotation mark]To judge the question
clearly
Page 118, under "Shakspere": distinctness of his images,
61[page number missing in original].
[104:1] page 107[original has 7]
[115:1] he had spoiled what Shakspere[original has Shakpere]
would have done
Some sidenotes are repeated on successive pages in the original. The
following sidenotes are in the original, but, because of duplication,
they have been omitted from this text.
Page 8: [Sidenote: It contains two plays not Shakspere's:]
Page 50: [Sidenote: Act V. scene v. (Weber, or sc. iii.
Littledale).]
Page 52: [Sidenote: Act V. scene v. (Weber; or iii.
Littledale).]
Page 53: [Sidenote: Act V. scene vi. (Weber; sc. iv.
Littledale) Shakspere's.]
Page 54: [Sidenote: Act V. scene vi. (Weber; sc. iv.
Littledale).]
Page 55: [Sidenote: Act V. scene vi. (Weber; sc. iv.
Littledale).]
End of the Project Gutenberg EBook of A Letter on Shakspere's Authorship of
The Two Noble Kinsmen, by William Spalding
Public-domain text, read in full here on John Shaqi.
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