A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacySpalding, William
General
A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy
the 'Troilus and Cressida' presents another classical and chivalrous
subject, which Chaucer had handled at great length, also invested with
the richness of the romantic garb and decoration.
[Sidenote: Shakspere chose the story of the _Two Noble Kinsmen_.]
Fletcher and Shakspeare being thus opposed to each other in their choice
of subjects, what qualities are there in the Plot of The Two Noble
Kinsmen, which may appropriate the choice of it to either? In the first
place, it is a chivalrous subject,--a classical story which had already
been told in the Gothic style. [Sidenote: Fletcher would neither have
chosen Chaucer's classical story for his plot,] The nature of the story
then could have been no recommendation of it to Fletcher. He has not a
single other subject of the sort; he has even written one play in
ridicule of chivalrous observances; and the sarcasm of that humorous
piece[66:1], both in the general design and the particular references,
is aimed solely at the prose romances of knight-errantry, a diseased and
posthumous off-shoot from the parent-root, whose legitimate and ancient
offspring, the metrical chronicles and tales, he seems neither to have
known nor cared for. [Sidenote: nor an old story,] Secondly, this story
must have been unacceptable to Fletcher, because it was a fa[66:2]miliar
one in England. This fact is perhaps sufficiently proved by its being
the subject of that animated and admirable poem of Chaucer, which Dryden
has pronounced little inferior to the Iliad or Æneid; but it is still
more distinctly shewn by a third fact, which completely clenches the
argument against Fletcher's choice of it as a subject. [Sidenote: nor
one on which two 16th-century plays had been written.] No fewer than two
plays had been written on this story before the end of the sixteenth
century; the earlier of the two, the Palamon and Arcite of Edwards,
acted in 1566, and printed in 1585, and another play called by the same
name, brought on the stage in 1594.[66:3]
[Sidenote: Fletcher didn't choose the subject of _The Two Noble
Kinsmen_.]
Public-domain text, read in full here on John Shaqi.
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