A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.Tarbell, Ida M. (Ida Minerva)
History
A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.
Tarbell, Ida M. (Ida Minerva)
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814; Napoleon I, Emperor of the French, 1769-1821
Three days later the “Belle Poule” was _en route_ for France. One
incident alone marked her return. A passing vessel brought the news that
war had been declared between France and England. The Prince de
Joinville was only twenty-two, a hot-headed youth, and the news of war
immediately convinced him that England had her fleet out watching for
him, ready to carry off Napoleon again. He rose to the height of his
fears. The elegant furnishings of the saloons of his vessel were torn
out and thrown overboard to make room for the batteries; the men were
made ready for fighting, and everybody on board was compelled to take an
oath to sink the vessel before allowing the remains to be taken. This
done, the “Belle Poule” went her way peacefully to Cherbourg, where she
arrived on November 30th, forty-three days after leaving St. Helena.
The town of Cherbourg owes much to Napoleon—her splendid harbors, and
great tracts of land rescued from the sea—and she honored the return of
his remains with every pomp. Even the poor of the town were made to
rejoice by lavish gifts in the emperor’s honor; and one of the chief
squares—one he had redeemed from the sea—became the Place Napoleon.
The vessels lay eight days at Cherbourg, for the arrival had been a
fortnight earlier than was anticipated, and nothing was ready for the
celebration at Paris; but the time was none too long for the thousands
who flocked in interminable processions to the vessels. When the vessels
left for Havre, Cherbourg was so excited that she did what must have
seemed to the nervous inhabitants an extravagance, even in Napoleon’s
honor, she fired a _thousand_ guns!
The passage of the flotilla from Cherbourg to Paris took seven days. At
almost every town and hamlet elaborate demonstrations were made. At
Havre and Rouen they were especially magnificent.
A striking feature of the river _cortége_ was the ceremonies at the
various bridges under which the vessels passed. The most elaborate of
these was at Rouen, where the central arch of the suspension bridge had
been formed into an immense arch of triumph. The decorations were the
exclusive work of wounded legionary officers and soldiers of the Empire.
When the vessel bearing the coffin passed under, the veterans showered
down upon it wreaths of flowers and branches of laurel.
These elaborate and grandiose ceremonies were not, however, the really
touching feature of the passage. The hill-sides and river-banks were
crowded with people from all the surrounding country, who sometimes even
pressed into the river in order better to see the vessels. Those on the
flotilla saw aged peasants firing salutes with ancient muskets, old men
kneeling with uncovered heads on the sod, and others, their heads in
their hands weeping—these men were veterans of the Empire paying homage
to the passage of their hero.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account