Mlle. Ducrest says that one day she heard a gentleman of the household, in admiring a cashmere gown which the Empress wore, remark that the pattern would do very well for a waistcoat. Josephine picked up a pair of scissors, and cutting the skirt of her dress into three pieces, gave one to each of the three gentlemen in the room. Josephine’s prodigality caused great confusion in her budget. She was allowed, at the beginning of her reign, $72,000 a year for her toilet, and later this was increased to $90,000. But there was never a year during the time that she did not far over-reach her allowance and oblige the Emperor to come to her relief. According to the estimate Masson has made, Josephine spent on an average $220,000 yearly on her toilet during her reign. It is only by going over her wardrobe article by article and noting the cost and number of each piece that one can realize how a woman could spend this amount. Take the simple item of her hose—which were almost always white silk, often richly embroidered or in open work. She kept 150 or more pairs on hand, and they cost from $4.00 to $8.00 a pair. She employed two hair-dressers—one for every day, at $1,200 a year; the other for great occasions, at $2,000 a year; and she paid them each from one thousand to two thousand dollars a year for furnishings. It was the same for all the smaller items of her toilet. Coming to gowns, the sums they cost were enormous. Her simple muslin gowns, of which her wardrobe always contained two hundred and more, cost from one hundred to four hundred dollars apiece. Her cashmere and velvet gowns were much more costly, ornamented as many of them were with ermine and with buckles, buttons, and girdles set with precious stones. One of her great extravagances was cashmere shawls. She never had enough of them—it is true she gave away many—and she rarely appeared without one within reach. Her collection of shawls is said to have been the most valuable ever seen in Europe. Many of them were made after patterns which she sent herself to the Orient. They were of every delicate shade of color, and in texture they were like gossamer. Her coquetry with these beautiful drapes was like the coquetry of the Spanish signora with a fan. She said everything with them.