Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
Give me the pay I have served for!
Give me to speak beautiful words! take all the rest;
I have loved the earth, sun, animals--I have despised riches,
I have given alms to every one that asked, stood up for the stupid
and crazy, devoted my income and labour to others,
I have hated tyrants, argued not concerning God, had patience and
indulgence toward the people, taken off my hat to nothing known
or unknown,
I have gone freely with powerful uneducated persons, and with the
young, and with the mothers of families,
I have read these leaves to myself in the open air--I have tried
them by trees, stars, rivers,
I have dismissed whatever insulted my own Soul or defiled my body,
I have claimed nothing to myself which I have not carefully claimed
for others on the same terms,
I have studied my land, its idioms and men,
I am willing to wait to be understood by the growth of the taste of
myself,
I reject none, I permit all,
Whom I have staid with once I have found longing for me ever
afterward.[223]
The poet is that equable sane man, in whose vision alone all things
find and are seen in their proper place, for he sees each _sub specie
æternitatis_--in its eternal aspect.
But while thus boldly declaring himself as the man that should come,
he has of course no desire to stand alone, and attempts to outline
the equipment necessary for future American poets. They must not only
identify themselves in every possible way with America, they must
be themselves creative and virile. Those who criticise, explain and
adjudge, can only create a literary soil; they cannot produce the
flower and fruit of poetry.
Returning to his favourite adage that a man is as great as a nation,
he asserts that the true poet is America; frankly reading himself as
a whole, he will see the meanings of America. Is then America also a
symbol? Assuredly. She is the Republic; she is the Kingdom of God;
she is Blake's Jerusalem; but behold, she is already founded and
four-square upon the solid earth.
That he was open-eyed to the materialistic spirit rampant throughout
the continent while he was writing, is clearly shown in the bitter
mockery of "Respondez,"[224] a poem afterwards suppressed. It is a
challenge to thought; an ironic assertion of things that are false and
futile, and which yet parade as realities. Though suggestive it is
obscure, and its subsequent omission was wise.
Thoughts of the destiny of America,[225] and of the evil and
imperfection which he saw about him, hindering, as it seemed, the
realisation of that destiny, and of the destiny of individual souls,
must often have moved him to passionate longing. He was not one of
those who confuse good with evil; he always recognised the difference
between right and wrong as among the eternal distinctions which could
never cease to hold true. He hated sin as he hated disease, and
recognised both as threatening and actual.
Public-domain text, read in full here on John Shaqi.
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