Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
Yet was he not alone. Some say he wrote of comradeship because he never
found such a comrade as him of whom he wrote;[300] but in one at least
of these poems he declares that his life, or at the least his singing,
depends upon such comradeship. And the absence of any record merely
reminds us that Whitman was chary of committing such personal matters
to the keeping of a note-book. What record has he left of those women
and their children, whose relation to himself must have bulked so
largely in the world of his soul? The poems seem to indicate at least
one very intimate friendship, more passionately given than returned.
Sometimes, as on the beach of Paumanok, doubt oversets him. Perhaps
after all,[301] appearances do not mean what he sees in them. Perhaps
the reality, the purpose, lies still undiscovered in them. Perhaps the
identity of the human self after death is but a beautiful fable. There
is a perfect answer--shall we say an evasion?--of these questionings
and of all doubts, which fellowship provides.
To me, these, and the like of these, are curiously answered by my
lovers, my dear friends;
When he whom I love travels with me, or sits a long while holding
me by the hand,
When the subtle air, the impalpable, the sense that words and
reason hold not, surround us and pervade us,
Then I am charged with untold and untellable wisdom--I am silent--I
require nothing further,
I cannot answer the question of appearances, or that of identity
beyond the grave,
But I walk or sit indifferent--I am satisfied,
He ahold of my hand has completely satisfied me.
Then he praises Love; all other joys and enterprises of the heroic soul
become but little things when weighed against the life of fellowship,
the joy of the presence of the beloved.[302] Is this another of those
places where the moralist begs to take his leave of the mystic? Let us
beseech him to stay, for it is out of the strenuous passions of the
soul that all good and lasting works for humanity have sprung. It was
the face of Beatrice--and for the Italian, it could only have been her
face--which drew Dante down through the circles of horror and up the
steep slopes of Purgatory to Paradise. It was the beauty of the lady
Poverty, that enabled her lover to kiss the sores of the lepers in the
lazar house below Assisi. What would the Apostles have done in the name
of their Lord had they not, like Mary the mystic, chosen the better
part of communion with Him instead of fidgetting forever, with Martha,
upon the errands of duty?
Public-domain text, read in full here on John Shaqi.
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