Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
Already his mind had responded to the idea of the cosmos and of cosmic
enthusiasm,[469] suggested to it in the Hymn of Cleanthes, in certain
pages of Marcus Aurelius, Giordano Bruno, Goethe, and the Evolutionists
of his own time. To these ideas Whitman brought conviction and
reality. It was through his study of the _Leaves_ that Symonds came
to understand for himself the infinite value and possibility of human
comradeship, and became a glad participant in the Universal Life.
For twenty years the two men corresponded as close friends; and there
were few in whose admiration for his work Whitman found such keen
satisfaction. But Addington Symonds was always a conscientious as well
as an affectionate and reverent friend; and while at a later date he
publicly protested against Mr. Swinburne's assault,[470] and in his
posthumous study of Whitman, proved himself second to none in his
admiration of him whom he called Master, yet he himself made some of
the frankest and most trenchant criticisms of his friend's work. He
thus preserved his independence, and, unlike that of the mere disciple,
his praise of Whitman is rendered really valuable by this quality.
* * * * *
[Illustration: ANNE GILCHRIST]
In the summer of 1869, Mr. Madox Brown lent a copy of the _Selections_
to his friend Mrs. Alexander Gilchrist, the widow of Blake's
biographer. She responded to the book's appeal, and immediately
borrowed Mr. Rossetti's copy of the complete volume.[471] While wholly
approving the omission from his _Selections_ of such poems as the
"Children of Adam," and herself making some partial reservation with
regard to these as perhaps infringing in certain passages the natural
law of concealment and modesty, she expressed to Mr. Rossetti, in
fervid and impassioned phrases, the joy that came to her in this new
gospel, worthy at last as she thought of America. Her friend obtained
her permission to allow her letters to him to be published; and they
appeared in the Boston _Radical_ for May, 1870.
Her words of womanly understanding stirred Whitman too deeply for much
outward expression.[472] He hardly regarded them as a declaration
of individual friendship, showing himself at the time even a little
indifferent[473] to the personality of their writer. They were, he
knew, a testimony not so much to him as to his _Leaves of Grass_, which
were a half-impersonal utterance, and as such he received them with
gratitude.[474] Nothing, not even O'Connor's brilliant vindication, had
so justified the poems to their maker.
Whitman has been roundly abused by Mr. Swinburne[475] and others,
because, as they say, he lacks the romantic attitude toward woman.
Mr. Meredith has shown in his own inimitable way the fiends that mask
themselves too often under this romantic mien; and one is not always
sure whether Whitman's honesty is not in itself a little distasteful to
some of his critics.
Public-domain text, read in full here on John Shaqi.
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