Their author was already familiar with _Leaves of Grass_, which he had first read at about the age of twenty-five, and which he had since been absorbing, much as he absorbed the sonatas of Beethoven. They fed within him the life of something which was still but dimly conscious; something dumb, blind and irrational, but of titanic power to disturb the even tenor of an academic life. One remarks that both Mrs. Gilchrist and he shared to the full the modern feeling for science and its philosophy, and for music. When he visited Whitman, Edward Carpenter was thirty-three; it was not till four years after this that he gave himself up to the writing of his own "Leaves," coming into his spiritual kingdom a little later in life than did Walt. In many respects his nature, and consequently his work which is the outcome and true expression of his personality, was in striking contrast with that of his great old friend. Lithe and slender in figure, he was subtle also and fine in the whole temper of his mind; sharing with Addington Symonds that tendency to over-fineness, that touch of morbid subtilty which demands for its balance a very sweet and strenuous soul, such indeed, as is revealed in the pages of _Towards Democracy_. He found Whitman's mind clear and unclouded after the suffering of the last four years, his perception keen as ever.[583] Courteous, and possessed of great personal charm, he was yet elemental and "Adamic" in character. He impressed his visitor with a threefold personality: first, the magnetic, effluent, radiant spirit of the man going out to greet and embrace all; then, the spacious breadth of his soul, and the remoteness of those further portions in which his consciousness seemed often to be dwelling; and afterwards, the terrible majesty, as of judgment unveiled in him, a Jove-like presence full of thunder. This last element in his nature was naked, ominous, immovable as a granite rock. When once you perceived it, there was, as Miss Gilchrist has remarked,[584] no shelter from the terrible blaze of his personality. But this rocky masculine Ego was wedded in him with a gentle almost motherly affection, which found expression in certain caressing tones of his widely modulated voice. While, to complete alike the masculine and feminine, was the child--the attitude of reverent wonder toward the world. By turns then, a wistful child, a charming loving woman, an untamed terrible truth-compelling man, Whitman seems to have both bewitched and baffled his young English visitor.