Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
Alluding to the subject of their discussion after the recent dinner at
Reisser's, he declared it impossible for him to make any assertion of
immortality; but admitted that Hope, replying to the question of Love
over the grave, might proclaim that "before all life is death, and
after death is life".
After the fine, but, in cold type at least, the over-florid peroration
descriptive of the atmosphere of Whitman's work, the applause was dying
away, and the people rising to go, when the old poet signalled for them
to be detained, and saying that he was there himself to offer the final
testimony to and explanation of his writings, if they would look at him
and understand, he gave thanks to them and to the orator, and bade them
all farewell.
[Illustration: ROBERT G. INGERSOLL, FROM A PRINT]
The whole scene presents a curiously suggestive picture. And Whitman's
situation was a most singular one. His friends had arranged a benefit
lecture on the _Leaves_ by the most eloquent eulogist in America. It is
true the book is not identical with Whitman, but it would be difficult
to separate the _Leaves_ from the man. And here was the man, apparently
of his own free will, receiving the eulogy and applause in person and
the gate-money by deputy.
The pious Philadelphians had expressed their disapproval of the
lecturer,[737] his iconoclastic fervour and agnosticism, by refusing
him the use of the most commodious hall, and their opposition had
encouraged Walt to stand at his friend's side. But apart from this, his
presence illustrates some of the characteristics of his nature, his
child-like and sometimes terrible love of directness in the relations
of life, and his frank eagerness for appreciation.
We have seen already that he could learn from criticism, and there is
a story of Dr. Bucke's which is too good to omit, though it entails a
slight digression. It was against the awkwardness, not the severity, of
his literary surgeons that he would protest with a quiet humour. After
one of their operations, more painful than usual, in his slow, slightly
nasal drawl, he related how a Quaker was once set on by a robber in
a wood. The fellow knocked his passive victim to the ground, rifled
him thoroughly, and "pulling out a long knife proceeded to cut his
throat. The knife was dull, the patience of the poor Quaker almost
exhausted. 'Friend,' said he to the robber, 'I do not object to thee
cutting my throat, but thee haggles.'"[738]
But while accepting blame with serenity, he yet preferred praise;
understanding praise above all, though even ignorant praise was hardly
unwelcome. Praise not directly of himself, be it understood--that often
made him uncomfortable;[739] but of the book, his _alter ego_, his
child. For the book was, besides, a Cause, and that the noblest; and
even vain applauding of it sounded, in the old man's ears, like the
tramp of the hosts of progress; in whose ranks there must needs follow,
let us admit, a number of enthusiastic fools.
Public-domain text, read in full here on John Shaqi.
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