He describes the American poet, who is coming to awaken men from their nightmare of shame to his own faith and joy. That poet is the lover of the universe, who beholds with sure and mystic sight the perfection that underlies all imperfection, for he sees the Whole of things. Past and future are present to him; and with them is the eternal soul. "The greatest poet does not moralise or make applications of morals--he knows the soul." His readers become loving, generous, democratic, proud, sociable, healthy, by beholding in his poems the beauty of these qualities. "Seer as he is, the poet," continues Whitman, "is no dreamer. He sees and creates actual forms.... To speak in literature with the perfect rectitude and insouciance of animals, and the unimpeachableness of the sentiment of trees in the woods and grass by the roadside is the flawless triumph of art. If you have looked on him who has achieved it, you have looked on one of the masters of the artists of all nations and times. You shall not contemplate the flight of the grey gull over the bay, or the mettlesome action of the blood horse, or the tall leaning of sunflowers on their stalk, or the appearance of the sun journeying through heaven, or the appearance of the moon afterward, with any more satisfaction than you shall contemplate him. The great poet has less a marked style, and is more the channel of thoughts and things without increase or diminution, and is the free channel of himself. He swears to his art, I will not be meddlesome, I will not have in my writing any elegance or effect, or originality, to hang in the way between me and the rest like curtains.... I will have purposes as health or heat or snow has, and be as regardless of observation.... You shall stand by my side and look in the mirror with me."[169] His words never pose before the reader for ornament, they are living things. And for this very reason, he follows no models; his thought is living and original; it must find a new form for its perfect expression, as a new seed would find new growth and leafage. The poet appeals to every reader as to an equal, because in every reader he appeals to the Supreme Soul. Many may not hear him, but he appeals to all, and not to a coterie. Whitman then proceeds to the praise of science. Knowledge, bringing back the mind from the supernatural to the actual, brings faith with it; and the soul is the divinest thing that science discovers in the universe. He turns to philosophy, and bids her deal candidly with whatsoever is real, recognise the eternal tendency of all things toward happiness, and cease to describe God as contending against some other principle. The poet deals with truth and with the actual. All else is but a sham and impotent. For everywhere and always, the soul which is the one permanent reality, loves truth and responds to it.