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"'And then the fat man answered wheezily, "It
shall be done, _Ser Capitano_. And he shall sup well
and choose his company; it is an old usage and shall
be observed." He then turned to me and said,
with a mock reverence, "Whom does the Signore
choose to sup with before he retires to rest?"
"'I turned to the man I had spoken with as we
rode, and laid my hand on his shoulder. "_Sicuro_,"
I said, "with none other than _Messer Nanerottolo_
here." This was my pleasantry, for he was a
monstrous big man, but not ill-favoured. I went
on, "I owe you a supper, my friend, for that _piccolo
vezzeggiamento_ you have given me----"
"What does that mean?" Thus his hearers, in concert.
"A little caress. I don't know why the Professor
has left some of the Italian words. _Nanerottolo_
means a very little dwarf indeed, and he could
hardly have translated. But he might have said
caress just as well." He resumed reading:
"'"I can feel it in my shoulder still." At this he
laughed, but said again I was a _bel giovane_, and
_molto bravo_. "And it is to you," I said, "that I
owe my supper here to-night." But his _Capitano_
gave a laugh, and said, "_Piuttosto a quel piccolo
vezzeggiamento che tu desti alia Duchessa_----"
Here the reader paused to interpret the Italian
again, which was hardly needed; then said, "There
is another gap in the manuscript here, and it is a pity.
The Professor thinks a few more words from what
followed would have made his theory a certainty."
"Why?" asked Madeline.
"Because 'the caress you gave the Duchess'
could only mean that he owed his supper to having
half strangled the old _Duchessa_. They couldn't
mean anything else in the context."
"Couldn't they? Never mind, Uncle Christopher!
Go on now. I'll tell you presently." Uncle
Christopher obeyed, recommencing as before
after the gap in the middle of a sentence:
"'... Prison for life accords ill with life and
hope and youth and the blood that courses in its
veins. Whereas despair in an exhausted frame,
and pain and hunger, breed a longing for the worst,
and if it may be, for an early death. Hence,
_Illustrissima_, my good supper, which was given
ungrudgingly, while it made me another man, and
better able to endure the pain left from the blow of
my friend who sat at meat with me, gave me also
strength to revolt against the terrible doom that
awaited me. Also, hope and purpose revived in
my heart, and I knew my last word with the world
of living men must be spoken before midnight; for
this was told me by the dropsical Castellan, with an
accursed smile. So I watch for the moment when
my friend, whose name was Attilio, is at his topmost
geniality with the good wine, and then I speak,
none being there to hear, but only he. I speak as
to a friend:
Public-domain text, read in full here on John Shaqi.
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