Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
"'... Working thus patiently in long and dreary
hours, and keeping the link of my manacle well in
the straw to drown the grating noise, I come to
know, on the third day of my labour, that but a very
little more is wanted and the ring will be cut through;
and then I know the chance is it will spring asunder
and leave the two links free. But I do not seek to
complete the cut until near the day appointed, for
does not Uguccione now and again examine all those
fetters, sometimes striking them with a small
hammer to make sure they have not been tampered with?
So I keep the ring hidden as best I may, and the
cut I have made I fill in with kneaded bread. And
one time Uguccione does come and strike the irons,
and I tremble. But by great good luck he strikes
so that they ring, and I am at my ease again.
"'Then comes what was my hardest task: the
making of footholes in the shaft that I might climb
and reach the underside of the trap. But first I
must tell you why I need do this. For you will say,
Why could not Attilio let down a cord and pull
me up through the trap? So he could, in truth,
were it possible to open the trap from overhead.
But it was closed with a key from above that came
through a great length to the lock below. Only I
could well understand from the description that this
lock would be no such great matter to prize back
from underneath could I once make shift to reach
it. Therein lay the great difficulty, shackled as I
was, although the links should be parted, to climb
up this long shaft and work at the opening of this
lock, standing on what poor foothold I could
contrive in total darkness.
"'Nevertheless, _Illustrissima_, be assured that I
go to my work with a good-will, though with little
hope. And on the first night I succeed in loosing
three bricks from their place in the wall, at such
intervals that each gives a foothold I may reach to
from the one below it on the other side. And the
next night again three more. And so on for six
nights, working patiently. And now I can touch
the lock that is above me. But understand that I
did not remove these bricks, else had I been at a
great loss where to hide them from Uguccione. I
left them loose in their places, so that I could twist
them out sideways, and thus make a kind of step.
For you know how strong our Tuscan bricks are.
Yet I had much ado to hide away the loose mortar
that came from between the joints. And had it
not been that the fetter on my wrist, now free, served
to prize out the bricks when the mortar was clear
from the ends, and loosened above and below, I had
been sore put to it to detach them, so firm were
they in their places. And all this work, _Illustrissima_,
had to be done in black darkness, by guidance of
feeling only!
Public-domain text, read in full here on John Shaqi.
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