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"'"Does he still sleep--will he sleep?" It is
my Maddalena who asks. And la Marta replies,
"_Non c'e pericolo_! No fear!" But I see across
the shoulder of my darling, as she stoops over me
again and tries to clear my brow of tangled hair--but,
you may well think, to little purpose--I see
that the old woman holds somewhat up, hanging
from betwixt her finger and old thumb, to show to
Attilio. And he laughs to see the little knife and
its sharp point, but below his breath, as guilt laughs
to guilt. But this my beloved heeds not; she is
busy with my hair.
"'I can tell but little now from what I saw with
my own eyes of what happened in the sequel, till I
found myself here again in the little old Castello in
the hills where I passed all the early years of my
boyhood, in the family of my wife's father, now
dead; though her mother still lived, and for many
years after that. What I do remember comes to
me as the speech of those about him reaches the
sleeper who half wakes, to sleep and dream again.
"'I can recollect riding, behind Attilio this time,
down the stony road I had come up in such pain
behind his comrade. I can just recollect the
barking of the great dogs in the Castle court when we
came away; whereon my Maddalena spoke earnestly
to one of them, Leone, and he went and carried her
speech to the others, and they were silent, though
some made protest under their full utterance. And
though I saw the janitors and porters at the great
gate in deep sleep, I did not then know of the cunning
work of the old Marta, who, indeed, was learned in
the use of drugs, and could as easily have poisoned
them all as made them sleep. Indeed, it was said
by many that the clever Duchess of Ferrara, the
sister of Cesare Borgia, had learned somewhat of the
art of poisoning in her youth from this same Marta
Zan. But of this I can say nothing with certainty.
"'But this I do know, that this Marta, who was
then near on eighty years of age, having received
the reward she had earned of five hundred crowns,
and another five hundred for a _buona mano_, did not
accompany us, on the score of her age, being unable
to mount a horse. But, as you may guess,
Eccellenza, it was she who had occasioned the old Duke's
death, and none of my doing, as was said by some,
though the certainty that the knife used was the
girdle-dagger of the fat Castellan Ferretti was held
a sure proof of his guilt, and led to his being
_giustiziato_ some months later. And she chose this way
of sending her old betrayer to Hell rather than that
of poison, seeing that her skill in this last was so
well known to all that there was none other in the
household on whom suspicion could have fallen. On
which account, as I have since understood, she
returned again to his bedside to see her work secure,
and replaced the knife in the wound, whereby the
guilt of his death was fixed on the fat Ferretti. I
can in nowise guess why la Marta so long deferred
her revenge against the Duke, except it was...'"
Public-domain text, read in full here on John Shaqi.
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