Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
"'One only thing, as I have said, is to me a
constant thorn of regret--the destruction of the
picture I painted in those early days, of my
Maddalena. It was all my heart and strength could do,
and would have served to tell of all I might have
done had God but spared me my right hand. But
_fiat voluntas tua, Domine_! None knows for certain
how it was destroyed, nor by whom. For the
statement of the Old Devil to my Maddalena, that it was
burned, for that it was judged worthless by men of
great knowledge in Art, and condemned as rubbish,
is of little weight. In those last days what could
have been the motive of such a statement but to
add to my darling's pain? It was averred by the
Ferretti, even to the day that he went to the gibbet,
that it was removed to a place of safety by order
of the Duke; but either he did not choose to say to
what place, or possibly did not know. And when
all the contents of the rooms the Duke had lived in
were removed, and the late Duke, his son, came
and took possession of the castle, so deep was his
hatred of his father's memory--as, indeed, he
believed his mother had been poisoned by his
orders--that he had all the furniture removed, and
all the pictures that might bring back the wicked
old man's memory to his mind. And there was no
such picture among them, as I saw myself; for by
invitation of Duke Giulio, with whom I have always
been on friendly terms, I inspected every picture
as it was removed from the Ducal apartments, the
walls of which, as you know, were so worthily
decorated afterwards by Francesco Primaticcio, to
whom I would so proudly have shown that one
little work by mine own hand. But, alas! there is,
I fear, no doubt that for once only the old Duke
spoke without lying, and that in truth he had had
it burned, for a _dispetto_ to me, and to give a little
more pain to my darling....'"
At this point Mr. Pelly, being close to the end,
read quicker and quicker, to make a finish before
the outcome of the carriage, whatever it was, should
be made manifest and break up the _séance_. But
the time was too short, as Mr. Stebbings the butler
appeared, charged, as it seemed, with some
communication, but hesitating about the choice of
language in which to make it.
"General Fordyce, your ladyship. The General
desired me to say, Sir Stopleigh, would you be so
good as speak to him a half a minute?" But Sir
S. was slow of apprehension, perhaps sleepy, and said
hay what! Both ladies spoke together. "It _is_ the
General! Don't you understand? He wants you
to go out and speak to him."
"Me go out and speak to him--what for?"
"You'll find that out by going. Look alive, Pupsey!"
"I'm coming, Stebbings! What on earth can
the General want to say to me?"
"Do go and see him, and find out." This was
in chorus, from both ladies, as before. Exit Pupsey.
"I wonder what it can be! However, we shall
hear directly. Is there any more to read, Uncle
Christopher?"
Public-domain text, read in full here on John Shaqi.
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