Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
Sir Stopleigh put his head in at the door, saying
to his wife would she come out for a minute and
speak to him? On which Madeline said suddenly,
"I shall go to bed. Good-night, Uncle
Christopher!--Good-night, Pupsey and Mumsey!" and
lit a candle and went away quickly upstairs. "How
very funny of Mad," her mother said, as she
followed her husband from the room. "Not at all
like her! I'll say good-night, Uncle Christopher,
but you do as you like." The momentary vision
of Sir Stopleigh--who said he would come back
directly--left Mr. Pelly with an impression that he
was very full of something to tell. And certainly
there came a great sudden exclamation of glad
surprise from her ladyship almost as soon as the door
closed behind her.
"I shall hear all about it in good time," said
Mr. Pelly. "At least, I suppose so." He sat down
contentedly in the large armchair opposite the
picture, and looked at the fire. Seventy-seven can
wait.
The murmur of a distant colloquy, heard through
doors and passages, and quenched by carpets,
assorts itself into its elements as the silence in the
library gets under weigh, and sharpens Mr. Pelly's
hearing. He is clear about the woman's voice: his
hostess's, of course--no other. But is that George's,
or the General's, the unexplained outsider's? Surely
that was a third voice, just now? Never mind,
Mr. Pelly can wait!
CHAPTER XI
How the picture spoke again. Abstract metaphysical questions,
and no answers. How the Picture's memory was sharpened,
and how Mr. Pelly woke up. Mr. Stebbings and Mrs. Buckmaster.
The actule fax. Jack's resurrection, without an
arm. Full particulars. All fair in love. How Mr. Pelly
knew the picture could see all, and how Madeline had not
gone to bed. Captain Maclagan's family. Fuller
particulars. General Fordyce and the Bart, not wanted.
What the picture must have seen and may have thought.
Good-bye to the story. Mere postscript.
It is scarcely fair play to make a merit of
patience--isn't cricket, as folk say nowadays--when you
are in a comfortable armchair before a warm fire,
and are feeling drowsy. But, then, Mr. Pelly was
under an entirely wrong impression on this point,
and had scheduled himself as wakeful, but content
to bide his time. Yet he might reasonably have
suspected himself of drowsiness when James, the
young man, coming to wind up the contents of the
room, and revise the shutters, retreated with
apologies. For had he been really awake, he would
certainly have said, "All right, James! Come in.
Never mind me!" As it was, he deferred doing so
a fraction of a second, and the consequences were
fatal. He remained wide awake, no doubt--people
always do. But he had not the slightest idea that
James had gone, closing the door gently, when the
picture said to him from the chimneypiece, in
exactly the voice he had heard before, "Is it all true?"
Public-domain text, read in full here on John Shaqi.
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