Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
Anyhow, there hangs the picture, night and day.
If it sees, it sees its owners growing older, year by
year. It sees their new grandchildren appear
mysteriously, and each one behave as if it was the
first new child in human experience. It sees a
one-armed soldier keen on organization of territorial
forces, and a beautiful wife who thinks him
the greatest of mankind. And it sees, too, now
and again, a very old, old gentleman whom Death
seems to overlook because he is so small and dry;
whom you may see too, by-the-by, if you look out
sharp at Sotheby's, or Wilkinson's, or Puttick's,
or Simpson's, or Quaritch's, or the Museum Reading
Room. Some believe Mr. Pelly immortal.
If it hears, it hears the few sounds the silent
north has to show against the music and the voices
of the south. It can listen to the endless torrent
of song from its little brown-bird outside above the
meadow, poised in the misty blue of a coming day,
or the scanty measure of the pleading of the
nightingale, heard from a thousand throats among the
Apennines in years gone by, welcome now as a
memory that brings them back. It can hear the
great wind roar in the chimney at its back through
the winter nights, and the avalanches in miniature
that come falling from the roof above when the
world awakes to fight against its shroud of snow.
But there is one thing it heard in our story it may
listen for in vain--the bark of the great dog Cæsar.
For Cæsar died of old age at eighteen, the age at
which many of us fancy we begin to live, and the
great bark shakes the Universe no more. Other
dogs eat small sweet biscuits now from the hand of
the mistress who loved him, with precisely the same
previous examination of them, with the identical
appearance of condescension in taking them at all.
But Cæsar lies--his mortal part--in a good-sized
grave behind the lawn, where it can be pointed out
from the library, and his _hospis comesque corporis_
may be among the shades, may have met for anything
we know the liberated soul of Marta's poodle,
and they may have considered each other
sententiously, and parted company on the worst of
terms. Cæsar never could have stood that poodle,
on this side.
But the picture is there still, for those who are
curious to see it. Whether it would not hang more
fitly in the little Castello in the hills, if it could be
identified, is matter for discussion. If pictures could
really speak, what would this one say?
THE END
AN APOLOGY IN CONFIDENCE
Public-domain text, read in full here on John Shaqi.
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