Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
_Lucinda, you see, might have gone on like that about Oliver;
only no doubt the memory of old precepts hung about her, and acted
as I trust my remonstrance would have done in the case of my
hypothetical daughter. Anyhow, I do think that the time-honoured
usage which keeps girls as ignorant of life as possible, so that they
shall be docile when a judicious Hymen offers them a marriage
with a suitable parti, ought at least, as a set-off, to go
hand-in-hand with leniency towards this ignorance when it betrays its
possessor into an indiscretion she has no means of gauging the
dangers of. For my belief is that the wickedness of her action
seemed purely academical to Lucinda. And Oliver knew how to
manage cases of this sort, bless you!_
_As for him, I readily admit that he was not nice, but I take the
testimonials to his nastiness as complimentary. When an Italian
audience pelts Iago with rotten eggs, it is accepted by the actor as
heartfelt praise. And you must have Devils, as well as Fairies,
when it's in a Pantomime, as we all know. An unhappy author
whom lack of material for copy has nearly qualified for Earlswood
cannot go on for ever writing about good people. He must have a
villain, please, sooner or later!_
_Nevertheless, some of my correspondents want to deprive me of
this innocent luxury. Such an appeal as the following makes me
feel that I may have to "leave the killing out, when all is done._"
"_Dear sir, can any 'success' that meets your latest story compensate
for the pain, and--so personal have you made our relations to you--the
humiliation so many of us feel?_
"_Why leave the heights--the sunny hill-slopes--where we met you
as a wise, sweet older brother, and lingered long after your story was
over, with stilled and strengthened hearts?_
"_I am sure none of us is happier, and none certainly is better for
breathing the sickening air into which you have led us...._"
Now, if I had published this story after a manifesto warning,
cautioning, and earnestly entreating all readers who expected it to
be Victorian and Suburban to keep their money in their pockets,
I should not be feeling, as I do now, that the writer of the above
letter had been entrapped into reading it under false pretences. I
can only offer humble and heartfelt apology to the writers, English
as well as American, of _the many letters I have received, practically
of the same tenor as the above_.
Public-domain text, read in full here on John Shaqi.
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