Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
There is a sense of the irrevocable about the
taking of a railway ticket. Even when it is only
ninepence-halfpenny--the sum Euphemia paid to go
third to Coombe and Maiden--one's soul says, as
the punch bites a piece viciously out of it, that the
die is cast. If you were to hear suddenly that
bubonic plague had broken out at, for instance,
Pegwell Bay, you having booked to Ramsgate,
would not you feel committed to your visit, plague
or no? Would not your wife say, "But we have
taken our tickets"? Ours would. Was it any
wonder that, with Pride at her elbow and her ticket
inside her glove. Mrs. Reginald Aiken resisted a
faint temptation to get out at Wimbledon and go
back by the next up-train that would promise to
stop at Clapham Junction? The story cannot
pretend it is sorry she did not, because it would have
lost much interest for the general reader by her
doing so.
We ourselves believe that if it had not been for
Miss Priscilla Bax, she might have returned to her
husband next day. The human race has, however,
to stand or fall by its Aunts, as it finds them, they
being almost always _faits accomplis_ when its
component individuals are born. Miss Bax had been
one some forty years when her niece Euphemia came
on the scene, and one of the good lady's strong points
was the low opinion she had of persons who married
into her family. She was, however, a kind-hearted
old lady, in spite of her disapproval of her niece's
choice of a husband, and his choice of a profession;
and had not only countenanced the marriage, but
had allowed the couple, as above related, a hundred
a year. Being the only well-off member of her
family, she was expected to do this sort of thing.
Like the well-off members of other families, she
was only permitted to have property on condition
that she did not keep it for herself.
When Euphemia's cab from the station drove her
up to Athabasca Villa, her aunt's residence, this
lady had got through her seven o'clock dinner, and
couldn't imagine who that could possibly be. It
was such a queer time for visitors. It must be a
mistake. She was so satisfied of this that she
inaugurated a doze, listening through its preamble
for something to explain the mistake. She was
betrayed by the doze, which might have had a
minute's patience, and was roused from what it
insidiously became by a voice saying groundedly:
"Oh dear, I'm afraid I waked you up!"
"I was not asleep," said Miss Priscilla, with
dignity, kissing the owner of the voice. "I was
listening." However, it took time to wake quite
up, and until that happened the old lady did not
fully grasp the surprising character of so late a
visit; and indeed, until she became aware that a
box was being carried upstairs, had but dreamy
impressions of the event. In time reality dawned,
and she showed it by saying: "I suppose, Euphemia,
you will want your bed made up."
Public-domain text, read in full here on John Shaqi.
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