A Literary History of Ireland, from Earliest Times to the Present DayHyde, Douglas
History
A Literary History of Ireland, from Earliest Times to the Present Day
Hyde, Douglas
Civilization, Celtic, in literature; Irish literature -- History and criticism; Language and culture -- Ireland
The other hymn, the singing of which at his festival is alluded
to as one of St. Patrick's "honours," was composed by Seachnall
[Shaughnal],[25] a nephew of St. Patrick's, in laudation of the
saint himself. It is a very interesting piece of rough latinity, and
is generally regarded as genuine. The occasion of its composition
deserves to be told, for it casts a ray of light on the prudential
and self-restrained side of St. Patrick's character, which no doubt
contributed largely to his success when working in the midst of his
wavering converts. Seachnall said that Patrick's preaching would be
perfect if he only insisted a little more on the necessity of giving,
for then more property and land would be at the disposal of the Church
for pious uses. This remark of his nephew was repeated to St. Patrick,
who was very much annoyed at it, and said beautifully, that "for the
sake of charity he forbore to preach charity," and intimated that the
holy men who should come after him might benefit by the offerings of
the faithful which he had left untouched. Then Seachnall, grieved at
having thus pained his uncle, and anxious to win his regard again,
composed a poem of twenty-two stanzas each beginning with a different
letter, with four lines of fifteen syllables in each verse.[26] When
he had done this he asked permission of Patrick to recite to him a
poem which he had composed in praise of a holy man, and when Patrick
said that he would gladly hear the praises of any of God's household,
the poet adroitly suppressing Patrick's name which occurs in the first
verse, recited it for him. Patrick was pleased, but interupted the
poet at one stanza when he said that the subject of his laudations
was _maximus in regno cælorum_,[27] "the greatest in the kingdom
of heaven," asking how could that be said of any man. _Maximus_,
ingeniously replied Seachnall, does not here mean "greatest," but
only "very great." He then disclosed to his uncle that he himself was
the object of the poem, and asked--like all bards--for the reward
for it, whereupon Patrick promised that to all who recited the hymn
piously morning and evening, God in His mercy might give the glory of
heaven. "I am content with that award," said the poet, "but as the hymn
is long and difficult to be remembered I wish you would obtain the
same reward for whosoever recites even a part of it." Whereupon St.
Patrick promised that the recitation of the last three verses would be
sufficient, and his nephew was satisfied, having proved himself the
first poet of Christian Ireland, and having obtained such a reward for
his verses as neither bard nor ollav had ever obtained before him. It
was probably this same Seachnall who was the author of the much finer
hymn of eleven verses which used to be sung in the old Irish churches
at communion--
"Sancti venite
Christi corpus sumite,
Sanctum bibentes
Quo redempti sanguinem.
Public-domain text, read in full here on John Shaqi.
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