A Literary History of Ireland, from Earliest Times to the Present DayHyde, Douglas
History
A Literary History of Ireland, from Earliest Times to the Present Day
Hyde, Douglas
Civilization, Celtic, in literature; Irish literature -- History and criticism; Language and culture -- Ireland
Like Sindbad in the Arabian tales,[10] they land upon the back of a
great whale as if it had been solid land. There they celebrated Easter.
They endured much peril from the sea. "On a certain day, as they were
on the marvellous ocean"--this adjective is strongly indicative of the
spirit in which the Celt regards the works of nature--"they beheld the
deep bitter streams and the vast black whirlpools of the strong-maned
sea, and in them their vessels were being constrained to founder
because of the greatness of the storm." Brendan, however, cried to the
sea, "It is enough for thee, O mighty sea, to drown me alone, but let
this folk escape thee," and on hearing his cry the sea grew calm. It
was after this that Brendan got a view of hell.
"On a certain day," says the Irish Life, "that they were on the sea,
the devil came in a form old, awful, hideous, foul, hellish, and sat
on the rail of the vessel before Brendan, and none of them saw him
save Brendan alone. Brendan asked him why he had come before his
proper time, that is, before the time of the great resurrection.
'For this have I come,' said the devil, 'to seek my punishment in
the deep closes of this black, dark sea.' Brendan inquired of him,
'What is this, where is that infernal place?' 'Sad is that,' said
the devil; 'no one can see it and remain alive afterwards.' Howbeit
the devil there revealed the gate of hell to Brendan, and Brendan
beheld that rough, hot prison full of stench, full of flame, full of
filth, full of the camps of the poisonous demons, full of wailing
and screaming and hurt and sad cries and great lamentations and
moaning and handsmiting of the sinful folks, and a gloomy, mournful
life in hearts of pain, in igneous prisons, in streams of the rows
of eternal fire, in the cup of eternal sorrow and death, without
limit, without end; in black, dark swamps, in fonts of heavy flame,
in abundance of woe and death and torments, and fetters, and feeble
wearying combats, with the awful shouting of the poisonous demons, in
a night ever-dark, ever-cold, ever-stinking, ever-foul, ever-misty,
ever-harsh, ever-long, ever-stifling, deadly, destructive, gloomy,
fiery-haired, of the loathsome bottom of hell. On sides of mountains
of eternal fire, without rest, without stay, were hosts of demons
dragging the sinners into prisons ... black demons; stinking fires;
streams of poison; cats scratching; hounds rending; dogs baying;
demons yelling; stinking lakes; great swamps; dark pits; deep glens;
high mountains; hard crags;... winds bitter, wintry; snow frozen,
ever-dropping; flakes red, fiery; faces base, darkened; demons swift,
greedy; tortures vast, various."[11]
This is one of the earliest attempts in literature at the pourtrayal of
an Inferno.
Public-domain text, read in full here on John Shaqi.
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