A Literary History of Ireland, from Earliest Times to the Present DayHyde, Douglas
History
A Literary History of Ireland, from Earliest Times to the Present Day
Hyde, Douglas
Civilization, Celtic, in literature; Irish literature -- History and criticism; Language and culture -- Ireland
Of the many _poems_--as distinguished from sagas, which are a mixture
of poetry and prose--said to have been produced from pagan times down
to the eighth century, none can be properly called epics or even
épopées. There are few continued efforts, and the majority of the
pieces though interesting for a great many reasons to students, would
hardly interest an English reader when translated. Unfortunately,
such a great amount of our early literature being lost, we can only
judge of what it was like through the shorter pieces which have been
preserved, and even these short pieces read rather jejune and barren
in English, partly because of the great condensation of the original,
a condensation which was largely brought about by the necessity of
versification in difficult metres. In order to see beauty in the
most ancient Irish verse it is absolutely necessary to read it in
the original so as to perceive and appreciate the alliteration and
other _tours de force_ which appear in every line. These verses, for
instance, which Mève, daughter or Conan, is said to have pronounced
over Cuchorb, her husband, in the first century, appear bald enough in
a literal translation:--
"Moghcorb's son whom fame conceals [covers]
Well sheds he blood by his spears,
A stone over his grave--'tis a pity--
Who carried battle over Cliú Máil.
My noble king, he spoke not falsehood,
His success was certain in every danger,
As black as a raven was his brow,
As sharp was his spear as a razor," etc.
One might read this kind of thing for ever in a translation without
being struck by anything more than some occasional _curiosa felicitas_
of phrase or picturesque expression, and one would never suspect that
the original was so polished and complicated as it really is. Here are
these two verses done into the exact versification of the original,
in which interlinear vowel-rhymes, alliterations, and all the other
requirements of the Irish are preserved and marked:--
"Mochorb's son of Fiercest FAME,
KNown his NAME for bloody toil,
To his Gory Grave is GONE,
He who SHONE o'er SHouting Moyle.
Kindly King, who Liked not LIES,
Rash to RISE to Fields of Fame,
Raven-Black his Brows of FEAR,
Razor-Sharp his SPEAR of flame," etc.[18]
Public-domain text, read in full here on John Shaqi.
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