A Literary History of Ireland, from Earliest Times to the Present DayHyde, Douglas
History
A Literary History of Ireland, from Earliest Times to the Present Day
Hyde, Douglas
Civilization, Celtic, in literature; Irish literature -- History and criticism; Language and culture -- Ireland
Druids and those of Gaul so close a resemblance subsisted, and that the
idea of rebirth which forms part of half-a-dozen existing Irish sagas,
was perfectly familiar to the Irish Gael, although we have no evidence
that it was connected with any ritual or taught as a deliberate
doctrine.
In reconstructing from our existing literature the beliefs and religion
of our ancestors, we can only do so incompletely, and with difficulty,
from passages in the oldest sagas and other antique fragments, mostly
of pagan origin, from allusions in very early poems, from scanty
notices in the annals, and from the lives of early saints. The
relatively rapid conversion of the island to Christianity in the fifth
century, and the enthusiasm with which the new religion was received,
militated against any full transmission of pagan belief or custom. We
cannot now tell whether all the ancient Irish were imbued with the
same religious beliefs, or whether these varied--as they probably
did--from tribe to tribe. Probably all the Celtic races, even in their
most backward state, believed--so far as they had any persuasion on
the subject at all--in the immortality of the soul. Where the souls of
the dead went to, when they were not reincarnated, is not so clear.
They certainly believed in a happy Other-World, peopled by a happy
race, whither people were sometimes carried whilst still alive, and to
gain which they either traversed the sea to the north-west, or else
entered one of the Sidh [Shee] mounds, or else again dived beneath
the water.[5] In all cases, however, whatever the mode of access, the
result is much the same. A beautiful country is discovered where a
happy race free from care, sickness, and death, spend the smiling hours
in simple, sensuous pleasures.
There is a graphic description of this Elysium in the "Voyage of Bran,"
a poem evidently pagan,[6] and embodying purely pagan conceptions. A
mysterious female, an emissary from the lovely land, appears in Bran's
household one day, when the doors were closed and the house full of
chiefs and princes, and no one knew whence she came, and she chanted
to them twenty-eight quatrains describing the delights of the pleasant
country.
"There is a distant isle
Around which sea-horses glisten,
A fair course against the white-swelling surge,
Four feet uphold it.[7]
Feet of white bronze under it,
Glittering through beautiful ages.
Lovely land throughout the world's age
On which the many blossoms drop.
An ancient tree there is with blossoms
On which birds call to the Hours.
'Tis in harmony, it is their wont
To call together every Hour.
* * * * *
Unknown is wailing or treachery
In the familiar cultivated land,
There is nothing rough or harsh,
But sweet music striking on the ear.
Without grief, without sorrow, without death,
Without any sickness, without debility,
That is the sign of Emain,
Uncommon, an equal marvel.
Public-domain text, read in full here on John Shaqi.
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