A Literary History of the ArabsNicholson, Reynold Alleyne
History
A Literary History of the Arabs
Nicholson, Reynold Alleyne
Arabic literature -- History and criticism
We have seen that the oldest existing poems date from the beginning of
the sixth century of our era, whereas the art of writing did not come
into general use among the Arabs until some two hundred years
afterwards. Pre-islamic poetry, therefore, was preserved by oral
tradition alone, and the question arises, How was this possible? What
guarantee have we that songs living on men's lips for so long a period
have retained their original form, even approximately? No doubt many
verses, _e.g._, those which glorified the poet's tribe or satirised
their enemies, were constantly being recited by his kin, and in this way
short occasional poems or fragments of longer ones might be perpetuated.
Of whole _qaṣídas_ like the _Mu‘allaqát_, however, none or very few
would have reached us if their survival had depended solely on their
popularity. What actually saved them in the first place was an
institution resembling that of the Rhapsodists in Greece. Every
professed poet had his _Ráwí_ (reciter), who accompanied him everywhere,
committed his poems to memory, and handed them down, as well as the
circumstances connected with them, to others. The characters of poet and
_ráwí_ were often combined; thus Zuhayr was the _ráwí_ of his stepfather,
Aws b. Ḥajar, while his own _ráwí_ was al-Ḥuṭay’a. If the
tradition of poetry was at first a labour of love, it afterwards became
a lucrative business, and the _Ráwís_, instead of being attached to
individual poets, began to form an independent class, carrying in their
memories a prodigious stock of ancient verse and miscellaneous learning.
It is related, for example, that Ḥammád once said to the Caliph Walíd
b. Yazíd: "I can recite to you, for each letter of the alphabet, one
hundred long poems rhyming in that letter, without taking into count the
short pieces, and all that composed exclusively by poets who lived
before the promulgation of Islamism." He commenced and continued until
the Caliph, having grown fatigued, withdrew, after leaving a person in
his place to verify the assertion and hear him to the last. In that
sitting he recited two thousand nine hundred _qaṣídas_ by poets who
flourished before Muḥammad. Walíd, on being informed of the fact,
ordered him a present of one hundred thousand dirhems.[259] Thus,
towards the end of the first century after the Hijra, _i.e._, about 700
A.D., when the custom of _writing_ poetry began, there was much of
Pre-islamic origin still in circulation, although it is probable that
far more had already been irretrievably lost. Numbers of _Ráwís_
perished in the wars, or passed away in the course of nature, without
leaving any one to continue their tradition. New times had brought new
interests and other ways of life. The great majority of Moslems had no
sympathy whatever with the ancient poetry, which represented in their
eyes the unregenerate spirit of heathendom. They wanted nothing beyond
the Koran and the Ḥadíth. But for reasons which will be stated in
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account