Farazdaq and Jarír are intimately connected by a peculiar rivalry--"_Arcades ambo_--_id est_, blackguards both." For many years they engaged in a public scolding-match (_muháját_), and as neither had any scruples on the score of decency, the foulest abuse was bandied to and fro between them--abuse, however, which is redeemed from vulgarity by its literary excellence, and by the marvellous skill which the satirists display in manipulating all the vituperative resources of the Arabic language. Soon these 'Flytings' (_Naqá’iḍ_) were recited everywhere, and each poet had thousands of enthusiastic partisans who maintained that he was superior to his rival.[454] One day Muhallab b. Abí Sufra, the governor of Khurásán, who was marching against the Azáriqa, a sect of the Khárijites, heard a great clamour and tumult in the camp. On inquiring its cause, he found that the soldiers had been fiercely disputing as to the comparative merits of Jarír and Farazdaq, and desired to submit the question to his decision. "Would you expose me," said Muhallab, "to be torn in pieces by these two dogs? I will not decide between them, but I will point out to you those who care not a whit for either of them. Go to the Azáriqa! They are Arabs who understand poetry and judge it aright." Next day, when the armies faced each other, an Azraqite named ‘Abída b. Hilál stepped forth from the ranks and offered single combat. One of Muhallab's men accepted the challenge, but before fighting he begged his adversary to inform him which was the better poet--Farazdaq or Jarír? "God confound you!" cried ‘Abída, "do you ask me about poetry instead of studying the Koran and the Sacred Law?" Then he quoted a verse by Jarír and gave judgment in his favour.[455] This incident affords a striking proof that the taste for poetry, far from being confined to literary circles, was diffused throughout the whole nation, and was cultivated even amidst the fatigues and dangers of war. Parallel instances occur in the history of the Athenians, the most gifted people of the West, and possibly elsewhere, but imagine British soldiers discussing questions of that kind over the camp-fires! Akhṭal joined in the fray. His sympathies were with Farazdaq, and the _naqá’iḍ_ which he and Jarír composed against each other have come down to us. All these poets, like their Post-islamic brethren generally, were professional encomiasts, greedy, venal, and ready to revile any one who would not purchase their praise. Some further account of them may be interesting to the reader, especially as the anecdotes related by their biographers throw many curious sidelights on the manners of the time. [Sidenote: Akhṭal.]