A Literary History of the ArabsNicholson, Reynold Alleyne
History
A Literary History of the Arabs
Nicholson, Reynold Alleyne
Arabic literature -- History and criticism
From this summary of Tha‘álibí's criticism the reader will easily
perceive that the chief merits of poetry were then considered to lie in
elegant expression, subtle combination of words, fanciful imagery, witty
conceits, and a striking use of rhetorical figures. Such, indeed, are
the views which prevail to this day throughout the whole Muḥammadan
world, and it is unreasonable to denounce them as false simply because
they do not square with ours. Who shall decide when nations disagree? If
Englishmen rightly claim to be the best judges of Shakespeare, and
Italians of Dante, the almost unanimous verdict of Mutanabbí's
countrymen is surely not less authoritative--a verdict which places him
at the head of all the poets born or made in Islam. And although the
peculiar excellences indicated by Tha‘álibí do not appeal to us, there
are few poets that leave so distinct an impression of greatness. One
might call Mutanabbí the Victor Hugo of the East, for he has the grand
style whether he soars to sublimity or sinks to fustian. In the
masculine vigour of his verse, in the sweep and splendour of his
rhetoric, in the luxuriance and reckless audacity of his imagination we
recognise qualities which inspired the oft-quoted lines of the
elegist:--
"Him did his mighty soul supply
With regal pomp and majesty.
A Prophet by his _diction_ known;
But in the _ideas_, all must own,
His miracles were clearly shown."[576]
One feature of Mutanabbí's poetry that is praised by Tha‘álibí should
not be left unnoticed, namely, his fondness for sententious moralising
on topics connected with human life; wherefore Reiske has compared him
to Euripides. He is allowed to be a master of that proverbial philosophy
in which Orientals delight and which is characteristic of the modern
school beginning with Abu ’l-‘Atáhiya, though some of the ancients had
already cultivated it with success (cf. the verses of Zuhayr, p. 118
_supra_). The following examples are among those cited by Bohlen (_op.
cit._, p. 86 sqq.):--
"When an old man cries 'Ugh!' he is not tired
Of life, but only tired of feebleness."[577]
"He that hath been familiar with the world
A long while, in his eye 'tis turned about
Until he sees how false what looked so fair."[578]
"The sage's mind still makes him miserable
In his most happy fortune, but poor fools
Find happiness even in their misery."[579]
[Sidenote: Abu ’l-‘Alá al-Ma‘arrí (973-1057 A.D.).]
[Sidenote: His visit to Baghdád.]
Public-domain text, read in full here on John Shaqi.
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