A Literary History of the ArabsNicholson, Reynold Alleyne
History
A Literary History of the Arabs
Nicholson, Reynold Alleyne
Arabic literature -- History and criticism
One day ‘Amr. b. Hind, the King of Ḥíra, said to his
boon-companions, "Do ye know any Arab whose mother would disdain to
serve mine?" They answered, "Yes, the mother of ‘Amr b. Kulthúm."
"Why so?" asked the king. "Because," said they, "her father is
Muhalhil b. Rabí‘a and her uncle is Kulayb b. Wá’il, the most
puissant of the Arabs, and her husband is Kulthúm b. Málik, the
knightliest, and her son is ‘Amr, the chieftain of his tribe." Then
the king sent to ‘Amr b. Kulthúm, inviting him to pay a visit to
himself, and asking him to bring his mother, Laylá, to visit his own
mother, Hind. So ‘Amr came to Ḥíra with some men of Taghlib, and
Laylá came attended by a number of their women; and while the king
entertained ‘Amr and his friends in a pavilion which he had caused
to be erected between Ḥíra and the Euphrates, Laylá found
quarters with Hind in a tent adjoining. Now, the king had ordered
his mother, as soon as he should call for dessert, to dismiss the
servants, and cause Laylá to wait upon her. At the pre-arranged
signal she desired to be left alone with her guest, and said, "O
Laylá, hand me that dish." Laylá answered, "Let those who want
anything rise up and serve themselves." Hind repeated her demand,
and would take no denial. "O shame!" cried Laylá. "Help! Taghlib,
help!" When ‘Amr heard his mother's cry the blood flew to his
cheeks. He seized a sword hanging on the wall of the pavilion--the
only weapon there--and with a single blow smote the king dead.[218]
‘Amr's _Mu‘allaqa_ is the work of a man who united in himself the ideal
qualities of manhood as these were understood by a race which has never
failed to value, even too highly, the display of self-reliant action and
decisive energy. And if in ‘Amr's poem these virtues are displayed with
an exaggerated boastfulness which offends our sense of decency and
proper reserve, it would be a grave error to conclude that all this
sound and fury signifies nothing. The Bedouin poet deems it his bounden
duty to glorify to the utmost himself, his family, and his tribe; the
Bedouin warrior is never tired of proclaiming his unshakable valour and
recounting his brilliant feats of arms: he hurls menaces and vaunts in
the same breath, but it does not follow that he is a _Miles Gloriosus_.
‘Amr certainly was not: his _Mu‘allaqa_ leaves a vivid impression of
conscious and exultant strength. The first eight verses seem to have
been added to the poem at a very early date, for out of them arose the
legend that ‘Amr drank himself to death with unmixed wine. It is likely
that they were included in the original collection of the _Mu‘allaqát_,
and they are worth translating for their own sake:---
Public-domain text, read in full here on John Shaqi.
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