A Literary History of the English People, from the Origins to the RenaissanceJusserand, J. J. (Jean Jules)
History
A Literary History of the English People, from the Origins to the Renaissance
Jusserand, J. J. (Jean Jules)
English literature -- History and criticism
The same cheerful, tranquil common sense which made him adopt the
language of his country and the usual versification, which prevented him
from reacting with excess against received ideas, also prevented his
harbouring out of patriotism, piety, or pride, any illusions about his
country, his religion, or his time. He belonged to them, however, as
much as any one, and loved and honoured them more than anybody. Still
the impartiality of judgment of this former prisoner of the French is
wonderful, superior even to Froissart's, who, the native of a
border-country, was by birth impartial, but who, as age crept on, showed
in the revision of his "Chronicles" decided preferences. Towards the
close of the century Froissart, like the Limousin and the Saintonge,
ranked among the conquests recovered by France. Chaucer, from the
beginning to the end of his career, continues the same, and the fact is
all the more remarkable because his turn of mind, his inspiration and
his literary ideal, become more and more English as he grows older. He
remains impartial, or, rather, outside the great dispute, in which,
however, he had actually taken part; his works do not contain a single
line directed against France, nor even any praise of his country in
which it is extolled as the successful rival of its neighbour.
For this cause Des Champs, a great enemy of the English, who had not
only ravaged the kingdom in general but burnt down his own private
country house, made an exception in his hatred, and did homage to the
wisdom and genius of the "noble Geoffrey Chaucer," the ornament of the
"kingdom of Eneas," England.
V.
The composition of the "Canterbury Tales" occupied the last years of
Chaucer's life. During the same period he also wrote his "Treatise on
the Astrolabe" in prose, for the instruction of his son Lewis,[555] and
a few detached poems, melancholy pieces in which he talks of shunning
the world and the crowd, asks the prince to help him in his poverty,
retreats into his inner self, and becomes graver and more and more
resigned:
Fle fro the prees, and dwelle with sothfastnesse,
Suffyce unto thy good, though hit be smal....
Forth, pilgrim, forth! Forth, beste out of thy stal!...
Hold the hye wey, and lat thy gost thee lede:
And trouth shal delivere, hit is no drede.[556]
In spite of this melancholy, he was at that time the uncontested king of
English letters; a life-long friendship bound him to Gower[557]; the
young poets, Hoccleve, Scogan, Lydgate, came to him and proclaimed him
their master. His face, the features of which are known to us, thanks to
the portrait we owe to Hoccleve, had gained an expression of gentle
gravity; he liked better to listen than to talk, and, in the "Canterbury
Tales," the host rallies him on his pensive air and downcast eyes:
"What man artow?" quod he;
"Thou lokest as thou woldest finde an hare,
For ever up-on the ground I see thee stare."
Public-domain text, read in full here on John Shaqi.
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