A Literary History of the English People, from the Origins to the RenaissanceJusserand, J. J. (Jean Jules)
History
A Literary History of the English People, from the Origins to the Renaissance
Jusserand, J. J. (Jean Jules)
English literature -- History and criticism
Tiel come tu es je autie fu,
Tu seras til come je su.
De la mort ne peusay-je mie
Tant come j'avoy la vie.
En terre avoy grand richesse
Dont je y fis grand noblesse,
Terre, mesons et grand tresor,
Draps, chivalx, argent et or,
Mes ore su-je povres et cheitifs,
Perfond en la terre gys,
Ma grand beaute est tout alee ...
Et si ore me veissez,
Je ne quide pas qe vous deeisez
Qe j'eusse onqes hom este.
(Stanley, "Historical Memorials of Canterbury.")
[586] Compiled in France in 1395. Lecoy de la Marche, "la Chaire
francaise au moyen age," 2nd ed., Paris, 1886, 8vo, p. 334.
[587] MS. R. iii. 20, in the Library of Trinity College, Cambridge, fol.
33. In the same MS.: "A roundell made ... by my lorde therlle of
Suffolk":
Quel desplaysier, quel courous quel destresse,
Quel griefs, quelx mauls viennent souvent d'amours, &c. (fol. 36).
The author is the famous Earl, afterwards Duke of Suffolk, who was
beaten by Joan of Arc, who married Alice, daughter of Thomas Chaucer,
and was beheaded in 1450. For ballads of the same kind, by Gower, see
below, p. 367. The same taste reigned in France; without mentioning
Charles d'Orleans, Pierre de Beauveau writes: "Le joyeulx temps passe
souloit estre occasion que je faisoie de plaisant diz et gracieuses
chanconnetes et balades." "Nouvelles Francoises du XIVe Siecle," ed.
Moland and d'Hericault, 1858, p. 303.
[588] "Visions concerning Piers Plowman," A. Prol. l. 103, written about
1362-3. See following Chapter.
[589] "Parson's Tale."--"Complete Works," vol. iv. p. 581.
[590] "Munimenta Gildhallae Londiniensis."--"Liber albus, Liber
custumarum; Liber Horn," Rolls, 1859, ed. Riley. The regulations (in
French) relating to the Pui are drawn from the "Liber Custumarum,"
compiled in 1320 (14 Ed. II.), pp. 216 ff. "The poetical competitions
called _puis_," established in the north of France, "seem to have given
rise to German and Dutch imitations, such as the _Master Singers_ and
the _Chambers of Rhetoric_." G. Paris, "Litterature francaise au moyen
age," paragraph 127. To these we can add the English imitation which now
occupies us.
[591] "Songs and Carols now first printed," ed. Th. Wright, Percy
Society, 1847, 8vo, p. 4.
[592]
For hortyng of here hosyn
Non inclinare laborant.
In the same piece, large collars, wide sleeves, big spurs are satirised.
Th. Wright, "Political Poems and Songs from Ed. III. to Ric. III.,"
Rolls, 1859, 2 vols. 8vo, vol. i. p. 275.
[593] "Political Poems," _ibid._, vol. i. p. 263.
[594] The greater part of those that have come down to us are of the
fifteenth and sixteenth centuries; but Robin was very popular, and his
praises were sung as early as the fourteenth century. The lazy parson in
Langland's Visions confesses that he is incapable of chanting the
services:
But I can rymes of Robin Hood | and Randolf erle of Chestre.
Ed. Skeat, text B. v. 402. See above, p. 224.
Public-domain text, read in full here on John Shaqi.
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