A Literary History of the English People, from the Origins to the RenaissanceJusserand, J. J. (Jean Jules)
History
A Literary History of the English People, from the Origins to the Renaissance
Jusserand, J. J. (Jean Jules)
English literature -- History and criticism
So rose from earth at Christmastide, borne on the same winds, angels
and demons, and the ancient feast of Saturn was commemorated at the same
time as Christ's. In the same way, again, the scandalous feasts of the
Fools, of the Innocents, and of the Ass, were made the merrier with
grotesque parodies of pious ceremonies; they were celebrated in the
church itself, thus transformed, says the bishop of Lincoln, Robert
Grosseteste, into a place for pleasure, amusement, and folly: God's
house was defiled by the devil's inventions. He forbade, in consequence,
the celebration of the feast of Fools, "festum Stultorum," on the day of
Circumcision in his cathedral, and then in the whole diocese.[763]
The feast of the Innocents was even more popular in England. The
performers had at their head a "boy bishop," and this diminutive prelate
presided, with mitre on his head, over the frolics of his madcap
companions. The king would take an interest in the ceremony; he would
order the little dignitary to be brought before him, and give him a
present. Edward II. gave six shillings and eight pence to the young
John, son of Allan Scroby, who had played the part of the "boy bishop"
in the royal chapel; another time he gave ten shillings; Richard II.,
more liberal, gave a pound.[764] Nuns even were known to forget on
certain occasions their own character, and to carol with laymen on the
day of the Innocents, or on the day of Mary Magdalen, to commemorate the
life of their patroness, in its first part as it seems.[765]
The passion for sightseeing, which was then very keen, and which was to
be fed, later, mainly on theatrical entertainments, was indulged in
during the Middle Ages in various other ways. Processions were one of
them; occasions were numerous, and causes for them were not difficult to
find. Had the _Pui_ of London awarded the crown to the writer of the
best _chanson_, a procession was formed in the streets in honour of the
event. A marriage, a pilgrimage to Palestine, a patronal feast, were
sufficient motives; gilds and associations donned their liveries, drew
their insignia from their chest, and paraded the streets, including in
the "pageant," when the circumstance allowed of it, a medley of giants
and dwarfs, monsters, gilt fishes, and animals of all sorts. On grand
days the town itself was transformed; with its flower-decked houses, its
tapestries and hangings, it gave, with some more realism about it, the
impression we receive from the painted scenery of an opera.
Public-domain text, read in full here on John Shaqi.
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