A Literary History of the English People, from the Origins to the RenaissanceJusserand, J. J. (Jean Jules)
History
A Literary History of the English People, from the Origins to the Renaissance
Jusserand, J. J. (Jean Jules)
English literature -- History and criticism
mester"; they cause God to be forgotten, and the vanity of the world to
be cherished.
Not a few among these English dramas, so popular in former days, have
come down to us. Besides separate pieces, histories of saints (very
scarce in England), or fragments of old series, several collections have
survived, the property whilom of gilds or municipalities. A number of
towns kept up those shows, which attracted visitors, and were at the
same time edifying, profitable, and amusing. From the fourteenth century
the performances were in most cases intrusted to the gilds, each craft
having as much as possible to represent a play in accordance with its
particular trade. Shipwrights represented the building of the ark;
fishermen, the Flood; goldsmiths, the coming of the three kings with
their golden crowns; wine merchants, the marriage at Cana, where a
miracle took place very much in their line. In other cases the plays
were performed by gilds founded especially for that purpose: gild of
Corpus Christi, of the Pater Noster, &c. This last had been created
because "once on a time, a play setting forth the goodness of the Lord's
Prayer was played in the city of York, in which play all manner of vices
and sins were held up to scorn and the virtues were held up to praise.
This play met with such favour that many said: 'Would that this play
could be kept in this city, for the health of souls and for the comfort
of citizens and neighbours!' Hence the keeping up of that play in times
to come" (year 1389).[786]
In a more or less complete state, the collections of the Mysteries
performed at Chester, Coventry, Woodkirk, and York have been preserved,
without speaking of fragments of other series. Most of those texts
belong to the fourteenth century, but have been retouched at a later
date.[787] Old Mysteries did not escape the hand of the improvers, any
more than old churches, where any one who pleased added paintings,
porches, and tracery, according to the fashion of the day.
These dramatic entertainments, which thrilled a whole town, to which
flocked, with equal zeal, peasants and craftsmen, citizens, noblemen,
kings and queens, which the Reformation succeeded in killing only after
half a century's fight, enlivened with incomparable glow the monotonous
course of days and weeks. The occasion was a solemn one; preparation was
begun long beforehand; it was an important affair, an affair of State.
Gilds taxed their members to secure a fair representation of the play
assigned to them; they were fined by the municipal authority in case
they proved careless and inefficient, or were behind their time to
begin.
Public-domain text, read in full here on John Shaqi.
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