But the fairy dance went on and on. The others swept to and fro and
round and round, but the little hunchback danced always on the violets,
and through the other music there could be plainly heard, as it crept in
and out, the mournful cadence of those tenderer flowers.
And, with the music and the dancing, the night faded into morning. And
all at once the music ceased and the little folk could be seen no more.
The birds came from their nests, the brook began to bestir himself, and
the breath of the new-born day called upon all in that quiet valley to
awaken.
So many years have passed since the old poet, sitting under the three
lindens half a league the other side of Pesth, saw the fairies dance and
heard the fairy music,--so many years have passed since then, that had
the old poet not left us an echo of that fairy waltz there would be none
now to believe the story I tell.
[Illustration: Bar Music]
Who knows but that this very night the elves and the fairies will dance
in the quiet valley; that Little Sorrowful will tinkle her maimed feet
upon the singing violets, and that the little folk will illustrate in
their revels, through which a tone of sadness steals, the comedy and
pathos of our lives? Perhaps no one shall see, perhaps no one else ever
did see, these fairy people dance their pretty dances; but we who have
heard old Robert Volkmann's waltz know full well that he at least saw
that strange sight and heard that wondrous music.
And you will know so, too, when you have read this true story and heard
old Volkmann's claim to immortality.
1887.
THE END.
FOOTNOTES:
[1: The music arranged by Mr. Theodore Thomas.]
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| Transcriber's note: |
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| Page 75 'frowardness' changed to 'forwardness' |
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| Page 219. 'her' changed to 'here' |
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End of Project Gutenberg's A Little Book of Profitable Tales, by Eugene Field
Public-domain text, read in full here on John Shaqi.
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