Readers may recall a passage in Miss Burney’s _Diary_ which gives countenance to an accusation not borne out by any other testimony, that Beauclerk and his wife had not lived happily together. Dining at Sir Joshua’s at Richmond, in 1782, Edmund Burke, sitting next the author of _Evelina_, took occasion, on catching sight of Lady Di’s “pretty white house” through the trees, to rejoice in the fact that she was well-housed, moneyed, and a widow. He added that he had never enjoyed the good-fortune of another so keenly as in this blessed instance. Then, turning to his new acquaintance, as the least likely to be informed of the matter, he spoke in his own “strong and marked expressions” of the singular ill-treatment Beauclerk had shown his wife, and the “necessary relief” it must have been to her when he was called away. The statement does not seem to have been gainsaid by any of the company; nor was Burke liable to a slanderous error. So severe a comment on Beauclerk, resting, even as it does, wholly on Miss Burney’s veracity, ought, in fairness, to be incorporated into any sketch of the man. On the other side, it is pleasant to discover that Beauclerk, in his will, made five days before the end, bequeathed all he possessed to his wife, and reverted to her the estates of his children, should they die under age. There was but one bequest beyond these, and that was to Thomas Clarke, the faithful valet. The executors named were Lady Di and her brother, Lord Charles Spencer, who had also been groomsman at the marriage, which, despite Burke and its own evil beginnings, it is hard to think of as ill-starred. The joint guardians of Charles George Beauclerk, the only son, were to be Bennet Langton and a Mr. Loyrester, whom Dr. Johnson speaks of as “Leicester, Beauclerk’s relation, and a man of good character;” but the guardianship, provisional in case of Lady Di’s decease, never came into force, as she survived, in fullest harmony with her three children, up to August 1, 1808, having entered her seventy-fifth year. Various private legacies came to Langton, by his old comrade’s dying wish, the most precious among them, perhaps, being the fine Reynolds portrait of Johnson, which had been painted at Beauclerk’s cost. Under it was inscribed: “_Ingenium ingens Inculto latet hoc sub corpore._”