Bildungsromans; First loves -- Juvenile fiction; Saint Louis (Mo.) -- History -- Juvenile fiction
Laflamme had enjoyed his bachelorhood extremely, and admitted to himself
it would be a bother to have to think about a wife. But if his Montreal
affairs should prove unsuccessful it might be a most excellent thing to
have a dependence to fall back upon. And when it came to that he would
not be really compelled to take Renée to France; he would, no doubt,
return to America.
They had finished their dance, but M. Laflamme still kept Renée’s hand
and held her attention by some amusing incidents until the music began
again. Then she was fain to release it. No one had asked her for this
dance—there had been no opportunity.
“I have you, little prisoner.” he said, with a meaning smile. “Come,
this is too delightful to forego.”
“No, I would rather not dance,” hesitatingly.
“You cannot plead fatigue, since you have only danced once,” he declared
insistently.
He impelled her into the line with a gentle firmness she could not
resist, though every line of her face, every pulse in her body,
protested against it. Two dances in succession were too pronounced,
unless one was betrothed or likely to be.
In spite of it all she found herself whirling about the line, in a
keeper’s charge she felt. The young men looked rather questioningly; the
girls exchanged glances, the elder women nodded, as if this set the seal
to their surmises. Renée’s face was scarlet and her eyes downcast. Would
it never come to an end? She was growing more and more resentful,
indignant.
“Now we will take a turn about——”
“Where is Elise?” she interrupted. Elise Renaud had been married long
enough to play chaperone. Madame Marchand had expected to attend, but in
the afternoon one of the babies had been taken ill. And there were
mothers enough to watch over the young girls.
“No, you do not want Elise,” mimicking her tone in a soft, yet decisive
manner. “And I want you. I have something to say——”
“No! no!” she cried in alarm, wrenching her hand away, and she would
have fled, but she almost ran into André Valbonais’s arms.
“Oh, keep me!” she cried under her breath. “Take me away—keep
me from——”
“What is the meaning of this?” and he looked from the small, trembling
figure in his arms to Monsieur Laflamme.
“Ma’m’selle de Longueville had a turn—I think it was the heat—or,
perhaps we danced too hard. You in this new country take things so much
in earnest. Then we came out here for a breath of air. She is better
already. She is my queen for the evening. Ma’m’selle, when you are ready
to go back——”
Public-domain text, read in full here on John Shaqi.
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