A Little Girl of Long Ago; Or, Hannah Ann: A Sequel to a Little Girl in Old New YorkDouglas, Amanda M.
History
A Little Girl of Long Ago; Or, Hannah Ann: A Sequel to a Little Girl in Old New York
Douglas, Amanda M.
New York (N.Y.) -- History -- 1775-1865 -- Fiction
After this, life went on with tolerable regularity. There was plenty of
amusement. Old New York did not suffer. Laura Keene thrilled them with
the "Hunchback," and many another personation. Matilda Heron was doing
some fine work in Milman's "Fazio," and the play of "The Stranger" held
audiences spell-bound. Then there were lectures for the more
sober-minded people; and you heard youngish men who were to be famous
afterward. Spirit-rappings had fallen a trifle into disfavour; and
phrenology was making converts. It was the proper thing to go to
Fowler's and have your head examined, and get a chart, which sort of
settled you until something else came along. Young ladies were going
into Combe's physiology and hygiene and cold bathing. Some very hardy
and courageous women were studying medicine. Emerson was in a certain
way rivalling Carlyle. Wendell Phillips was enchanting the cities with
his silver tongue. There had been Brooke Farm; and Margaret Fuller had
flashed across the world, married her Italian lover, who fought while
she wrote for liberty; and husband, wife, and child had met their tragic
death in very sight of her native land.
People were thinking really great thoughts; and there was a ferment of
moral, transcendental, and aesthetical philosophy. Women met to discuss
them in each other's parlours, prefiguring the era of clubs. Alice and
Ph[oe]be Cary's receptions had grown to be quite the rage; and Anne C.
Lynch was another figure in the social-literary world. Beecher was
drawing large audiences in Brooklyn, and telling the old truths in a new
fashion. There is always a great seething and tumult before the water
fairly boils and precipitates the dregs to the bottom.
But whatever comes and goes, young girls are always growing up with the
flush and fragrance and elusive fascinations of spring. To-day, a
credulous tenderness and overwhelming faith in the past; to-morrow, a
little doubtful, hesitatingly anticipative, with the watchwords of "The
True, the Good, and the Beautiful;" and still concerned in the latest
style of doing one's back hair, and if silver combs and gilt pins would
keep in fashion; and flushing celestial rosy red, yet with an odd sense
of importance, when men began to lift their hats in a gravely polite
manner, as if the laughing, hoydenish girl of yesterday, who strung
herself out four or five wide on the sidewalk with books in hand, was
the shy, refined, hesitating, utterly delicious young woman of to-day.
Public-domain text, read in full here on John Shaqi.
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