She entered. It was almost empty, but down the vista of the great columns hospitable lights gleamed, and here and there a man or a woman--more women than men--was kneeling in the great aisle, before a picture, at the side of a confessional, at the steps of the altar. How hushed and calm and sweet it was! She crept into a pew in a side aisle in the shelter of a pillar; and sat down. Presently, in the far apse, an organ began to play, its notes stealing softly out through the great spaces like a benediction. She fancied that the saints, the glorified martyrs in the painted windows illumined by the sunlight, could feel, could hear, were touched by human sympathy in their beatitude. There was peace here at any rate, and perhaps strength. What a dizzy whirl it all was in which she had been borne along! The tones of the organ rose fuller and fuller, and now at the side entrances came pouring in children, the boys on one side, the girls on another-school children with their books and satchels, the poor children of the parish, long lines of girls and of boys, marshaled by priests and nuns, streaming in--in frolicsome mood, and filling all the pews of the nave at the front. They had their books out, their singing-books; at a signal they all stood up; a young priest with his baton stepped into the centre aisle; he waved his stick, Margaret heard his sweet tenor voice, and then the whole chorus of children's voices rising and filling all the house with the innocent concord, but always above all the penetrating, soaring notes of the priest-strong, clear, persuading. Was it not almost angelic there at the moment? And how inspired the beautiful face of the singer leading the children!