A Little Journey in the WorldWarner, Charles Dudley
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A Little Journey in the World
Warner, Charles Dudley
American fiction -- 19th century
At each little table was a drama in progress, light or serious--all the
more serious for being light at the moment and unconsidered. Morgan, who
was so well informed in the gossip of society and so little involved in
it--some men have this faculty, which makes them much more entertaining
than the daily newspaper--knew the histories of half the people in the
room. There were an Italian marquis and his wife supping together like
lovers, so strong is the force of habit that makes this public life
necessary even when the domestic life is established. There is a man
who shot himself rather seriously on the doorsteps of the beauty who
rejected him, and in a year married the handsome and more wealthy
woman who sits opposite him in that convivial party. There is a
Russian princess, a fair woman with cool observant eyes, making herself
agreeable to a mixed company in three languages. In this brilliant light
is it not wonderful how dazzlingly beautiful the women are--brunettes in
yellow and diamonds, blondes in elaborately simple toilets, with only
a bunch of roses for ornament, in the flush of the midnight hour, in
a radiant glow that even the excitement and the lifted glass cannot
heighten? That pretty girl yonder--is she wife or widow?--slight and
fresh and fair, they say has an ambition to extend her notoriety by
going upon the stage; the young lady with her, who does not seem to fear
a public place, may be helping her on the road. The two young gentlemen,
their attendants, have the air of taking life more seriously than the
girls, but regard with respectful interest the mounting vivacity of
their companions, which rises and sparkles like the bubbles in the
slender glasses which they raise to their lips with the dainty grace of
practice. The staid family parties who are supping at adjoining tables
notice this group with curiosity, and express their opinion by elevated
eyebrows.
Margaret leaned back in her chair and regarded the whole in a musing'
frame of mind. I think she apprehended nothing of it except the light,
the color, the beauty, the movement of gayety. For her the notes of the
orchestra sounded through it all--the voices of the singers, the hum of
the house; it was all a spectacle and a play. Why should she not enjoy
it? There was something in the nature of the girl that responded to
this form of pleasure--the legitimate pleasure the senses take in being
gratified. “It is so different,” she said to me, “from the pleasure
one has in an evening by the fire. Do you know, even Mr. Morgan seems
worldly here.”
Public-domain text, read in full here on John Shaqi.
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