A Little Journey in the WorldWarner, Charles Dudley
General
A Little Journey in the World
Warner, Charles Dudley
American fiction -- 19th century
Margaret was to stay some time with two maiden ladies, old friends of
her mother, the Misses Arbuser. The Arbusers were people of consequence
in their day, with a certain social prestige; in fact, the excellent
ladies were two generations removed from successful mercantile life,
which in the remote prospective took on an old-family solidity. Nowhere
else in the city could Margaret have come closer in contact with a
certain phase of New York life in which women are the chief actors--a
phase which may be a transition, and may be only a craze. It is not so
much a condescension of society to literature as it is a discovery that
literature and art, in the persons of those who produce both, may be
sources of amusement, or perhaps, to be just, of the enlargement of
the horizon and the improvement of the mind. The society mind was never
before so hospitable to new ideas and new sensations. Charities, boards
of managers, missions, hospitals, news-rooms, and lodging-houses for the
illiterate and the homeless--these are not sufficient, even with
balls, dancing classes, and teas, for the superfluous energies of
this restless, improving generation; there must be also radical clubs,
reading classes, study classes, ethical, historical, scientific,
literary lectures, the reading of papers by ladies of distinction and
gentlemen of special attainments--an unremitting pursuit of culture and
information. Curiosity is awake. The extreme of social refinement and
a mild Bohemianism almost touch. It passes beyond the affectation of
knowing persons who write books and write for the press, artists in
paint and artists in music. “You cannot be sure in the most exclusive
circle”--it was Carmen Eschelle who said this--“that you will not meet
an author or even a journalist.” Not all the women, however, adore
letters or affect enthusiasm at drawing-room lectures; there are some
bright and cynical ones who do not, who write papers themselves, and
have an air of being behind the scenes.
Margaret had thought that she was fully occupied in the country, with
her teaching, her reading, her literature and historical clubs, but
she had never known before what it was to be busy and not have time for
anything, always in pursuit of some new thing, and getting a fragment
here and there; life was a good deal like reading the dictionary and
remembering none of the words. And it was all so cosmopolitan and
all-embracingly sympathetic. One day it was a paper by a Servian
countess on the social life of the Servians, absorbingly interesting
both in itself and because it was a countess who read it; and this was
followed by the singing of an Icelandic tenor and a Swedish soprano, and
a recital on the violin by a slight, red-haired, middle-aged woman from
London. All the talents seem to be afloat and at the service of the
strenuous ones who are cultivating themselves.
Public-domain text, read in full here on John Shaqi.
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