A Little Journey in the WorldWarner, Charles Dudley
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A Little Journey in the World
Warner, Charles Dudley
American fiction -- 19th century
Even the city, with its mass of stone and brick, rectangles, straight
lines, dust, noise, and fever of activity, is penetrated by this divine
suggestion of the renewal of life. You can scarcely open a window
without letting in a breath of it; the south wind, the twitter of a
sparrow, the rustle of leaves in the squares, the smell of the earth and
of some struggling plant in the area, the note of a distant hand-organ
softened by distance, are begetting a longing for youth, for green
fields, for love. As Carmen walked down the avenue with Mr. Lyon on a
spring morning she almost made herself believe that an unworldly life
with this simple-hearted gentleman--when he should come into his title
and estate--would be more to her liking than the most brilliant success
in place and power with Henderson. Unfortunately the spring influence
also suggested the superior attractiveness of the only man who had
ever taken her shallow fancy. And unfortunately the same note of
nature suggested to Mr. Lyon the contrast of this artificial piece of
loveliness with the domestic life of which he dreamed.
As for Margaret, she opened her heart to the spring without reserve. It
was May. The soft maples had a purple tinge, the chestnuts showed color,
the apple-trees were in bloom (all the air was full of their perfume),
the blackbirds were chattering in convention in the tall oaks, the
bright leaves and the flowering shrubs were alive with the twittering
and singing of darting birds. The soft, fleecy clouds, hovering as over
a world just created, seemed to make near and participant in the scene
the delicate blue of the sky. Margaret--I remember the morning--was
standing on her piazza, as I passed through the neighborhood drive,
with a spray of apple-blossoms in her hand. For the moment she seemed
to embody all the maiden purity of the scene, all its promise. I said,
laughing:
“We shall have to have you painted as spring.”
“But spring isn't painted at all,” she replied, holding up the
apple--blossoms, and coming down the piazza with a dancing step.
“And so it won't last. We want something permanent,” I was beginning to
say, when a carriage passed, going to our house. “I think that must be
Henderson.”
“Ah!” she exclaimed. Her sunny face clouded at once, and she turned to
go in as I hurried away.
It was Mr. Henderson, and there was at least pretense enough of business
to occupy us, with Mr. Morgan, the greater part of the day. It was not
till late in the afternoon that Henderson appeared to remember that
Margaret was in the neighborhood, and spoke of his intention of calling.
My wife pointed out the way to him across the grounds, and watched him
leisurely walking among the trees till he was out of sight.
Public-domain text, read in full here on John Shaqi.
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