World War, 1914-1918 -- France -- Juvenile fiction
The towers of the little church were gone, the bells, carried off by
the Germans, could give forth no joyous peal, but there came a day when
the small town joined the rest of the world in celebrating the news
of the armistice. “Make a joyful noise, all ye lands,” quoted the old
_curé_ as he stood on the steps of the church and smiled indulgently
upon the boys who were raising a tremendous din with any kind of thing
that would furnish a noise. An old bugle, a sheet of tin and a hammer,
cow bells and sheep bells, were in great requisition. There was a
descent upon the kitchens, every boy carrying off whatsoever he could
lay his hands upon, from a tin plate to a copper cauldron, and he did
it unreproved. People stood in little knots talking excitedly, weeping,
shouting, singing. Anything resembling a tricolor was waved, was hung
from windows, was carried in parade upon the end of a stick. The last
gun was fired at eleven A.M. At that hour from the church steps the old
_curé_ raised his hands in benediction before he began mass.
Lucie and Odette joined the marching throng to swell the volume of song
when the strains of the Marseillaise arose above the din. An old man
with an ancient cornet played the air, the boys beat wildly upon their
improvised drums. Men, women and children joined in.
Presently at the end of the procession appeared a grinning black face.
A negro soldier with a small American flag stuck in his hat, deftly
rattled a set of bones and lent his voice to the singing with a fervor
unmistakable even if his rendering of the words was peculiar:
“O, sarm city on,
Form a batty one,”
sang Gus Fitchett, then suddenly to the intense delight of the boys he
broke into a series of pigeon wings, double shuffles, and cake walks,
keeping time with his clattering bones. In a moment there was an end of
the singing and Gus was the center of a group which cheered, applauded,
urged him on till he stopped exhausted to wipe his perspiring face.
All at once he stiffened up rigidly and stood at attention as an
American officer came up, whom he saluted. Philip Randolph, trying to
repress a smile said authoritatively: “You black rascal, what are you
up to?”
Gus gave a series of salutes. “Jes’ celebratin’, suh. Wah obah, suh.”
“You’ll be over, over in the guard house if you don’t look out,” said
Philip. “Hallo, Lucie, are you in this, too?”
“Of course. Please don’t scold Gus; he is such a dear.”
“Oh, you know him, do you?”
“Indeed I do. He’ll fall at your feet if I tell him you’re my uncle
from Virginia. Wasn’t his dancing wonderful?”
“Pretty good. I used to perform that way myself when I was a boy, but
I never was quite as limber as that. To tell you the truth I haven’t
had such a reminder of home since I left. It’s lucky I know his kind or
he’d be reported. What about this--Gus is his name?”
Public-domain text, read in full here on John Shaqi.
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