City and town life -- Fiction; Urban poor -- Fiction
Six o'clock was striking as he reached St Runwald's, but there was no
Ichabod waiting, neither was he overing the little fat tombstone that
had sunk so far into the earth, nor making snowballs in the path; so
Jared kicked the snow from his boots, unlocked the great door, walked
in, and, in an absent fit, locked himself into the great gloomy church.
Not that it mattered, for Ichabod Gunnis had forgotten the practice, and
at this time, in company with three or four birds of a feather, he was
lying in ambush in a cour at a little distance, whence he could throw
snowballs at the drivers and conductors of the various 'buses.
So Jared Pellet told himself that it was for the last time that he was
standing in the gloomy edifice; and rapping his teeth with the key, he
slowly made his way to the organ-loft, where, after five minutes'
fumbling, he found his match-box, and lit the single candle by which he
practised, abstaining from touching the blower's dip, till such time as
that functionary should arrive.
And there sat, with bended head, the desolate man, the centre of a halo
of light, which dimly displayed his music, the reflector, and the keys
and stops. Above him towered the huge, gilt pipes; while from every
corner looked down the carven cherubim, here and there one with a flush
of light upon its swollen cheeks. The building was very dark, for the
light from street lamp or shop shone but faintly through the windows.
The snow from without sent in a ghastly glimmer, sufficient to show the
black beams and rafters high up in the open roof, where dust and cobwebs
ruled supreme. The tall aisle pillars stood in two ghostly rows; while
upon the funereal hatchments between, lay here and there a streak of
light, shot through some coloured pane, to lend a bar sinister never
intended by the heraldic painter. Now it was the tablet-supported
napkin, draped over a carved angel, that caught the light, and stood out
strangely from the surrounding darkness, while all below was black,
deep, and impenetrable--a sea of shadows, with pew-like waves and a
holland-covered pulpit and reading-desk for vessels, to stand out dimly
from the surrounding gloom.
Patchy and ill diffused was the light; as if tired and worn with its
efforts to struggle through the wire-protected, stained-glass windows,
it rested where it fell, to peer down grimly upon the darkness in the
nave.
Public-domain text, read in full here on John Shaqi.
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