This apparition, which had nothing of a pale or shadowy phantom about
it, appealed to René's senses in a way that ought to have made him
understand that Madame Moraines' attitudes did but mask the true woman,
the voluptuous though refined courtesan. But of this he took no note,
and, whilst madly desirous to possess her, he believed that his worship
of her was of the most ethereal kind. This mirage of sentiment is a
phenomenon frequently observed in men who lead chaste lives, and one
which renders them the defenceless prey of the most barefaced hypocrisy.
The inability to understand their own feelings makes them still more
incapable of analysing the tricks of the women who arouse in them the
accumulated passion of a lifetime. The poet, however, became perfectly
lucid as soon as Suzanne's image made way for that of Rosalie. On going
through his papers he was continually coming across some page headed, in
boyish fashion, 'For my flower;' that was the name he had given Rosalie
in the heyday of his love, when he had written her a fresh poem almost
every morning.
'O Rose of candour and sincerity!' were the terms in which he addressed
her at the end of one of these effusions. When his eyes fell upon such
lines he was again obliged to lay down his pen, and once more his
surroundings would melt away, but this time to make room for a vision of
torture. The rooms occupied by the Offarels lay before him, cold and
silent. The old woman was busy with her cats. Angélique was turning
over the leaves of an English dictionary, and Rosalie was looking at
him, René--looking at him through an ocean of space with eyes in which
he read no reproach, but only deep distress. He knew as well as if he
were there, near her, that she had guessed his secret, and that she was
suffering the pangs of jealousy. If such were not the case would he have
been so terribly afraid to meet the girl's eyes? Would that he could go
to her and say, 'Let us be only friends!' It was his duty to do so. The
only means of preserving one's self-esteem is by acting with absolute
loyalty in these subsidings of love, which are like fraudulent
bankruptcies of the heart. But that loyalty was thrust aside by weakness
in which both egoism and pity were equally represented. He took up his
pen again, and saying, as on the first day, 'We shall see--later on,' he
tried to work. Soon he had to stop once more as his mind reverted to
Rosalie's sufferings. He thought of the long nights she would spend in
tears, knowing as he did every trifling habit of the simple creature who
had given him her heart. She had often told him that the only time she
could indulge in her own grief was at night. Then he hid his face in his
hands and waited till the vision had passed, meanwhile saying to
himself, 'Is it my fault?'
Public-domain text, read in full here on John Shaqi.
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