'A fine expedition you sent me on!' he said to his wife on his return.
'When I mentioned your headache the old woman gave a grunt that almost
knocked me down, and when I told her that René was gone to see a sick
friend--a very queer excuse, by the way, but let that pass--she said,
"In some palace, I suppose!" During dinner poor Claude was the only
topic of conversation. She pulled him to pieces till he hadn't a rag on
his back. "He is an egoist and an ill-mannered fellow, he is in bad
health and has no future!"--and goodness knows what she didn't say! If
it hadn't been for a game of piquet with Offarel--and even that the sly
old fox won. Oh!--Passart was there too. Remind me about recommending
him to the Abbé for the college. He's a nice young fellow. Between you
and me, I think Rosalie rather likes him.'
Emilie could not help smiling at her husband's marvellous perspicacity.
She had often heard Madame Offarel complain of the pressing attentions
of the young drawing-master, and she immediately understood that he had
been asked at the last minute to prove that, besides René, there were
other suitors on hand. Thereupon the Offarels, who had never allowed
four days to pass without coming in after dinner, had not set foot in
the Rue Coëtlogon for a fortnight. When they at last decided to resume
their visits, at their wonted hour, they were escorted by the
aforementioned Passart, a tall, fair, gawky lad in spectacles, with a
shy look on his freckled face. Emilie saw at once that their motive in
bringing him was to arouse her brother's jealousy, and the old lady was
not long in showing her hand.
'Monsieur Offarel is engaged this evening,' she said, 'so Monsieur
Passart was kind enough to bring us. Give Monsieur Jacques that seat
near you, Rosalie.'
Poor Rosalie had not seen René since receiving his cruel message
through Emilie. In passing from the Rue Bagneux to the Rue
Coëtlogon--in reality a short, but to her an interminable distance--she
had suffered agonies, and her heart beat fast as she entered the room.
She had, however, the courage to steal a glance at her old lover, as a
kind of protest that she was not responsible for her mother's mean
calculations, and the courage also to reply coldly, as she took a seat
in a corner and placed a chair before her, 'I want this chair to put my
wool on. I'm sure Monsieur Passart won't deprive me of it.'
Public-domain text, read in full here on John Shaqi.
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