She had taken shelter behind a table upon which, amongst other trifles,
there stood the photograph of the Baron in a plush frame. In struggling
with the horrible temptation to strike this defenceless woman René had
turned his eyes from her. As they fell upon the portrait he broke out
into a hideous laugh. Taking up the frame, he seized Suzanne by the hair
and rubbed the portrait violently over her lips and face, at the risk of
cutting her, continuing his frantic laughter all the time.
'Here,' he cried, 'here is your lover! Look at him--your lover!'
He threw the frame upon the floor, and crushed it with his heel. But no
sooner had he committed this mad action than he was ashamed of it. For
the last time he looked at Suzanne as, with dishevelled hair and staring
eyes, she stood in a corner overcome with fear--then without a word he
left the room, and she had not the strength to utter a syllable to
retain him.
CHAPTER XX
THE ABBÉ TACONET
Two days after this terrible scene Claude Larcher was standing on the
balcony of Colette's rooms, which overlooked the Tuileries gardens. It
was about two in the afternoon, and there had been a return of glorious
spring weather, bringing a bright blue sky and warm May breezes. Claude
had spent several days with Colette. The two lovers had been seized with
one of those revivals of passion which are all the more ardent and
vehement on account of the memories of past quarrels and the certainty
of others to come. Larcher was reflecting upon this curious law of love
as he watched the smoke of his cigar curling up in thin blue wreaths in
the sunshine. Then he looked down upon the line of carriages in the
street and the crowd of promenaders under the scanty foliage of the
gardens.
He was astonished at the state of perfect felicity into which these few
days of indulgence had plunged him. His painful jealousy, his legitimate
anger, his feelings of degradation--all had passed away since Colette
had acted in accordance with his wishes and closed her door to Salvaney.
This would not last, he knew full well, but the presence of this woman
was to him such complete happiness that it allayed his fears for the
future as it effaced his rancour for the past. He smoked his cigar
slowly and peacefully, turning round every now and then to look at
Colette through the open window as she sat in a cane rocking-chair,
dressed in a Chinese gown of pink satin embroidered with gold--a
duplicate of the one in her dressing-room at the theatre. Swinging
herself to and fro, she slipped her dainty feet in and out of her
embroidered morocco leather slippers, displaying, as she did so, a pair
of pink silk stockings to match her dress.
Public-domain text, read in full here on John Shaqi.
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